The FBI are sent to Juarez, Mexico where a US Attorney is found dead. The investigation leads consultant Patrick Jane (Simon Baker) to a free citizen’s farm in Gentry, Texas. Meanwhile, Teresa Lisbon (Robin Tunney) enlists the help of ex-colleagues Grace (Amanda Righetti) and Wayne Rigsby (Owain Yeoman) to investigate the death of Osvaldo Ardiles.
Not so Humungous Review
(In which writer is under the residual influence of anesthesia and can’t be trusted to give a grade)
I can always count on Erika Green to bring a smile to my face. I enjoyed Jane’s interactions with his new team members and appreciated how we were cleverly given a chance to get to know them through Jane’s gifts to them: Jason Wylie (Joe Adler) got a Tamagotchi (electronic pets that were quite popular about ten years ago). Dennis Abbott got a Voltron toy (based on the cartoon/anime series) while Agent Kim Fischer received a magic wand. Even Jane’s old comrade Kimball Cho received a gift in the form of jumping beans. One might wonder why Lisbon didn’t get anything. I’d just like to point out that way back in season one (Red Sauce) we were already shown what her secret desire was: the surprise pony Jane gave her for her birthday.. Also, it seems like the significance of the gifts was, as Abbott pointed out, was Jane attempting to fit into his team. Even Cho had expressed concern with that regards to Jane, hence his getting a gift too despite having worked with Jane in the past. Lisbon has no such concerns.
The new dynamic between Jane and Lisbon, personified by the fact that she is no longer his boss continues to be a theme this season. In this episode it means that she will sometimes be delegated to tasks that exclude him. In this episode, Lisbon was stuck going through the victim’s files. Jane, when Cho and Fischer arrive at the crime scene without her, immediately asks where she is. Then back at HQ, he looks for her and we finally see him deposited on his new couch, with Lisbon working on her computer nearby. It’s a familiar scene, albeit less private than viewers are used to in Lisbon’s CBI office. Later Jane invites Lisbon to join him for a drive to Gentry, and when she refuses to ride his “silver bucket” Jane says “Fischer it is then”. Whether Jane’s intention was romantic or not, he was obviously trying to get a rise out of Lisbon. It was nice to see that she didn’t take the bait, calmly informing him that she was still working on a lead into Ardiles murder-waiting for a warrant from a judge. Jane then helpfully suggests she enlists LaRoche’s help whom we are told now works for internal affairs.
It’s no secret I adore LaRoche. I not only love the actor, but have found his character to be a major asset to the show ever since Daniel Cerone introduced him in Jolly Red Elf. That said, I don’t mind having him killed off (at least, not as much as I thought I would). But having it happen the way it did, with him leaving a nonsensical dying message was a real disappointment. As far as I could tell, LaRoche was killed by gunshot after he set off a trap rigged to shoot anyone who walked into it. So why the heck-how in the heck did he come to the conclusion that he was shot by Red John? Was there an RJ smiley that I somehow missed (all too possible since I’m not operating at full capacity at the moment). Or am I wrong in my original assumption that LaRoche said “Red John” right before he died? It just makes no sense. If I am wrong and LaRoche had in fact been saying something else, then the scene is just confusing, which is just as aggravating.
Fischer’s statement to Jane that he’s “sleeping on the job” was a bit grating. I mean, the man had been driving for five hours straight, Kim, during which you were sleeping (at least part of that time). Cut him some slack.
The Winner: Dunbar and Swallow stole this one. When Fischer complains that Jane ditched her, Abbott seriously tells her that Jane is trying to fit in, brandishing Jane’s gift as proof. His boyish delight at Voltron “Not just a robot” was very funny…
…as was Fischer reiterating “Dennis, he ditched me. Seeing how annoyed she was, Abbott tells Fischer “that’s not cool” to which she responds “No! No, that is far, far from cool!”. These two are growing on me 🙂
First Runner Up: Grace and Wayne’s visit to LaRoche. His calling Wayne “young Rigsby” and the respectful manner in which he greeted Van Pelt charmed me, as did the couple’s clandestine smiles to each other at his plight of a new job. Like Lisbon said, he lost his job because of her team and despite his amusing wariness towards them, there was no real malice in their interaction. I’m glad he remained a likeable character until the end. Did I mention I’ve always loved LaRoche?
Second Runner Up: Kim getting grilled at the market and Jane’s rueful expressions at her rookie mistake dealing with the mistrustful locals. Really well written, well acted scene by all involved including guest stars Kevin Daniels and Cindy Pickett.
Icings on the Cake
Tim Kang’s smile when Jane gave Cho the jumping beans. Who doesn’t love jumping beans?
Kim’s statement that she thought she could “change so many things” when she was little if she just had a magic wand. This statement just screamed “divorced parents” to me. Now whether my assumption on what the subtext meant is true or not doesn’t matter. Each viewer is free to draw their own conclusion and that’s what makes the scene so clever, I think. Lisbon’s discerning look at Kim also made for a nice little moment between the two.
“Bad as this job is, it’s drama free.”- LaRoche to Wayne and Rigsby. Poor LaRoche L
“Been there” –Jane, to Alex, regarding his alcoholism. It’s an interesting statement; we’ve had no reason to think Jane was ever an alcoholic and while it could have been a convenient lie to get close to him, I think Jane here was referring to addiction in general.
“With the peanut butter people?” Lisbon, to Jane.
“Are you ever coming back?” Lisbon, to Jane. This seems like an innocent question but it subtly recalls Jane leaving Lisbon. Twice. Methinks someone might have abandonment issues now.
“I’m gonna need a black helicopter and a tank”.
“You can’t be on the road forever Patrick you gotta let it take you someplace.” Alex, to Jane. Now that Jane’s killed RJ (we think?) where is his next journey?
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