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Screenwriter, producer, compulsive critic, editor, artist, language lover, student of life, pacifist, parent.

Mentalist Red and Itchy Review


Synopsis

CBI Consultant Patrick Jane (Simon Baker) abandons working on the Red John case when he learns that Agent Lisbon’s (Tunney) newest case involves fellow Agent J.J. LaRoche’s (Pruitt Taylor Vince). LaRoche asks for Jane personally and he quickly finds out why: a tupperware box in LaRoche’s safe, whom only Jane knows can ruin the man, was stolen from his safe. The culprit is using the box’s contents to blackmail LaRoche (Pruitt Taylor Vince) into giving up a leak he is investigating in CBI. Jane’s help to find the culprit and retrieve his box before the 24 hours he was given to end his investigation is over.

Concise Verdict

Leading up to the finale, Red and Itchy is an episode with sublime writing and acting, intriguing recurring guest stars, a fan favorite mystery revealed, continuity, stirring character moments, beautiful music, fantastic direction, nice Jane…it’s winning attributes are quite endless. Plenty of episodes this season moved me beyond belief but two in a row, ones that were so good it hurts…..sigh. I love this show.  10/10.

Detailed (AKA HUMUNGOUS) Review (spoilers galore)

PRUITT TAYLOR VINCE. PRUITT TAYLOR VINCE!!!!!

This really was an all around perfect episode, but I won’t pretend that much of my elation was due to the fact of seeing one of my favorite actors and characters on the show depicted in a way that portrayed him to be what I always believed him to be. Unless I am being horribly led on, Red and Itchy completely vindicated my soft-spot for LaRoche and all the conclusions I ever made about him as well as Jane’s opinion regarding his character.

Speaking of vindication, it was also nice to see compassionate Jane make yet another appearance, to vindicate him from always being labelled as a jerk. Everyone knows Jane is a kind person in theory, but seeing him in action is always a wonderful experience. It truly is a joy to see him help people with minimum dosage of pain (since his love is usually of the “tough” variety).

Also, Jane’s often times misunderstood/miss received “help” is at times motivated by mixed purposes. But unequivocally altruistic intentions are not so often the drive behind his exertions. And if they are, then his implementation of them can at times leave much to be desired. Thankfully, not a single of these drawback’s exists here. I’ll always find Jane’s softer more compassionate side the most irresistible aspect of his character.

LaRoche, Jane and Lisbon; Friends? a Recap

In the Bloodstream episode review, I’d stated:

Jane’s proximity to J.J is probably part of a conscious strategic decision. If the man is guilty, then Jane has a better opportunity to find out. And if he is innocent, then it can only be beneficial for Jane to be close to someone as smart (and now, as powerful) as LaRoche…..Finally, perhaps Jane is spends time with LaRoche because he sees him as an actual friend. I liked when in the previous episode Jane told him “are we kids or what?” Obviously, he just said it to get the man’s guard down, but you also get a feeling of mutual respect there.

 in the Redacted Review…

I don’t care what anyone says. I am positive that LaRoche likes Lisbon (as a colleague at least). Else why would the writers have bothered clarifying that Lisbon’s one week suspension is mandatory? Why would LaRoche have clarified it? And the 6 months anger management classes, while undoubtedly tedious, could just as easily have been ordered out of concern for Lisbon as much as out of anger with her. I am positive that if not for LaRoche’s respect for Lisbon, her punishment could have been much worse.  Especially considering how much LaRoche was looking forward to making Culpepper “very sorry” for breaking into his home as he stated earlier on in the episode.

In the  Strawberries and Cream Review…

LaRoche dawdles and waits for Jane and Lisbon (who are arguing) to walk away. Only then does LaRoche get in the car. This scene was very cleverly written. Having LaRoche act strangely kept him under suspicion with viewers. Because what explanation could there be for him lingering behind, only to have him happen to kill Gupta and have the reason not be sinister?

.I’ve previously stated that I think LaRoche likes Lisbon (‘Bloodstream’); that he respects her. Also, we know Jane’s been trying to befriend LaRoche. When Jane offered LaRoche a bottle of scotch (Red Queen) LaRoche was visibly moved…I contend that LaRoche now likes both Jane and Lisbon and wants to befriend them but doesn’t know how. He just seems like such a misunderstood and awkward character that has a hard time having normal interactions with people. His hanging around could be because he simply enjoys being in their presence. Who can blame him? Their banter is always fun….A more serious possibility is that LaRoche was more interested in what they were saying. Lisbon was admonishing Jane for disobeying her order to leave, saying that it is her responsibility to keep him alive. I have a feeling that Lisbon’s sense of responsibility for Jane will be a huge theme in season four. And the fact that LaRoche heard her struggle with Jane’s insubordination will probably tie into that as well… what is undeniable is the look of pure interest made obvious because of the forced disinterest on LaRoche’s face as he listens to Jane and Lisbon’s banter. Pruitt Taylor Vince was remarkable in this scene. Initially he makes LaRoche suspicious and then endearing in retrospect. He truly is a joy to watch.

…also in Strawberries and Cream

Jane is amused at LaRoche appealing to his (questionable at best) sense of responsibility. He laughs and says “I love you.”

-BWAHAHAHAHAHAHAHAH!!!!!!!!!!!!!!!!!!!! I was right! Jane likes LaRoche!

Ahem.  Never mind Jane probably just appreciates how simple LaRoche’s black and white ethics are (no doubt they make him easier to read) I genuinely believe he likes the guy. LaRoche’s reaction to Jane’s statement that he loves him is priceless. Like he doesn’t know whether to be pleased or scared; if Jane’s mocking him or if he’s being sincere.

Jane, seeing that he can’t manipulate LaRoche using ambition, goes for something else: fear. Jane tells LaRoche that if he gives him the list, Jane will not only tell him where Hightower is, but will also keep LaRoche’s secret. LaRoche tells Jane he could arrest him. But Jane says he won’t or he’ll reveal what’s in the box. LaRoche seems shaken and tells Jane “That is private” Jane responds that “it” should be, bluffing since he doesn’t really know what’s inside, adding that he’d love to help LaRoche keep his secret.  The man finally yields under the threat and writes down the name of the suspects. But before he gives it to Jane he tells him, not unkindly, “You’re a fascinating man, Patrick. Who knows what you might have achieved in this world were you not quite so damaged.”

J.J’s statement here can only reflect positively on his character. There he is being blackmailed by Jane into doing something against his moral character and work ethic. And instead of being furious with Jane he only seems to feel sympathy, maybe even pity for him.

In the Blood-Feud Review, I stated:

LaRoche is no dummy. He probably knew perfectly well that Jane called Rigsby and Lisbon is just protecting him by claiming she did. I see his refusal to acknowledge this truth is his way of succumbing to her wishes to protect her team. I’m just not sure why. Perhaps, like Hightower before him, he hopes Jane will behave better if he realizes that Lisbon will be held responsible for his actions.

LaRoche: Agent Lisbon, your instincts to protect your team are admirable, and your biggest flaw.

We have it in canon that this guy loves Lisbon (who doesn’t?). He got upset when she insulted him (Bloodstream) and he gave her a hug (Little Red Book). His statement here truly seemed like he was trying to look after her, protect her from herself. I find his behavior admirable, and not just because it annoyed Jane…

Jane: Yes, well we all have our flaws. Don’t we agent LaRoche?

Jane’s statement here is a not so subtle reminder to LaRoche that he knows a horrible secret LaRoche has (Strawberries and Cream) and his way of telling LaRoche his advice is not wanted. Jane does not want anyone influencing Lisbon and/or his relationship with her. It makes me wonder how he’d react if she ever gets a boyfriend.

Perhaps this threat is the reason why we never saw LaRoche make more attempts to befriend Lisbon…or Jane, for that matter. But it felt like Jane wanted to make amends since (later in this season) he enlisted LaRoche’s help on a case (Behind the Red Curtain). Unfortunately that pure emotion might have gone over J.J’s head since Jane had to bring up his blackmail material once more to get J.J. to cooperate. It sort of nullified his statements of  “Trust me, you’ll have fun.” And “J.J. You have to live a little. You spend your days chasing paper clip fees. When do you ever get the chance to nail a killer?”

But despite the successful cooperation in that episode, Itchy and Red shows that J.J. still felt/feels ill-used by Jane, despite Jane’s honest attempts to disabuse him of that (not quite unreasonable) notion.

Let’s take it from the top….

Teaser: Jane Willingly Leaves the Attic

Lisbon knocks on Jane’s door. He yells out “I’m busy!” Lisbon says she’s been trying to get him on the phone and demands he opens the door. Jane does so quite unwillingly. We learn why when Lisbon asks if his RJ suspect board has him any closer to getting to Red John. Jane replies: “I don’t know I keep getting interrupted. What I need is radio silence for a week Lisbon, if you can.”

-I was struck with how irritated Jane sounded here. It’s a stark contrast from the last episode when he tells Lisbon “Anything for you.” Methinks perhaps Lisbon has been calling Jane out on cases because she worries about him up there alone in the attic. And Jane’s irritation might stem from the fact that this (unnecessary, in his opinion) worry is getting in his way of making real progress.

Lisbon tells Jane: “The dead body in LaRoche’s house won’t wait that long.” Jane replies in surprise “J.J’s?” Lisbon concurs when she tells him that he asked for him specifically. Jane quickly follows her out the door.

-The difference between Lisbon and Jane’s reference to the Head of Professional Standard’s Unit is quite telling and in character. We’ve heard Lisbon refer to many of her colleagues by first name (Osvaldo, Bob, Madeline) but unless my memory fails she never called LaRoche by his first name. It goes to show that despite my (and probably Jane’s) suspicions that LaRoche likes Teresa, she still hasn’t warmed up to him completely. Mores the pity. I was hoping the hug the man had given her ( Little Red Book) would have clued her into the man’s regard. But it looks like it might have just weirded her out. Poor man.

In contrast, Jane calling LaRoche by his first name, suggests more friendly feelings on his part, as does the fact that he instantly left what he was doing to help out on the case, despite just demanding to be left alone.

More clues to the friendship are found when they reach La-Roche’s house. To my delight, Jane says “Oh, they hit the Hummels” commenting on the figurines he knows LaRoche loves to collect (Red Queen) before asking with genuine concern “Is LaRoche okay?”

Sigh. I totally ship JaRoche friendship.

Jane later makes his way to the ambulance where J.J. is waiting to talk to him before he goes to the hospital. Jane greets him by his first name commenting that he noticed the man bought a new safe, but that it wasn’t safe enough. J.J. asks the paramedic to leave them before telling “Mr. Jane” that he’ll cut to the chase.

-The fact that J.J. addresses Jane so formally clues us in to his idea of the relationship’s status: purely professional. Also, the cordiality hints of timidness and humbleness. Perhaps it’s due to the favor he’s going to ask Jane, or it might be due to being under Jane’s control for so long…

LaRoche tells Jane that he wasn’t honest with Rigsby. While he told him the thieves he surprised didn’t take anything, they in fact stole the tupperware box from his safe. Jane says he figured.

-Probably, when Jane didn’t see the box in the safe, he concluded that it was the target of the burglary. Perhaps he’d even guessed it was the reason for the crime the instant he heard the man’s house was broken into again.

LaRoche tells Jane he thought he was the only one who knew of its existence, but that after the remaining thief left he found a note in the box’s place “drop the case, you have until tonight”. He then explains to Jane that he’s being blackmailed into forgoing an investigation he’s working into a security leak at CBI. LaRoche then adds “you know what will happen if they unseal that box.” Jane replies “I do.”

-Of course regular viewers will be amazed at Jane’s ability to lie since we know he has no idea what’s inside, just that such a box exists and that he himself once blackmailed LaRoche, bluffing to reveal its contents.

LaRoche replies “of course” with a knowing tone. Here Jane is compelled to say “I didn’t take that box.” LaRoche then states “I know that, Patrick. It’s your favorite blackmail device” and attempts to win Jane to his cause by saying “Your puppet mastery of me ends if its contents become public knowledge.” Here, again, Jane clarifies “I never thought of you as a puppet,” to which LaRoche sadly replies “You ever thought of me as a friend?”

Aw! PTV totally broke my heart here. And probably Jane’s as well. Baker’s concerned empathetic face is a beautiful, beautiful sight to behold. But he doesn’t reply to LaRoche’s question. Perhaps it’s because, while he does like LaRoche (I do not doubt that for a second) his motives in getting to know him were not quite so altruistic in the beginning (he suspected him of being an RJ mole). Or maybe Jane is simply shocked that despite LaRoche butting heads with Jane, the man is tacitly admitting that Jane’s friendship was something LaRoche would have sincerely valued, had he felt confident he had it.

And just to make things more heartbreakingly awkward, J.J., barely able to keep his composure, tells Jane “this is difficult to ask”. At Jane’s (encouraging) expectant silence, LaRoche adds “I need your help. Please.”

;_____;

Sniff. I think it was Mary who once coined LaRoche as being “creepy but fluffy” on this blog. But now he’s just plain fluffy. He looks like a poor sick mutt.

Jane is quite stricken. It’s so wonderful to see him so touched, even more because it’s completely in character. We know that nothing moves Jane like honesty. And trust. So how can he remain unaffected by the man’s request here? He can’t. He isn’t, and is quick to reassure LaRoche that he’ll find his box.

-Baker’s tone here was so irresistibly kind that millions of fans melted into the floor.

LaRoche tells him, “I would appreciate that. As would my mother.” Before telling the paramedics that they can take him to the hospital now. Jane quickly takes the hint and leaves the poor afflicted man to try to collect himself in private.

-And any fans who managed to remain solid after hearing Jane’s husky voice had no chance against seeing PTV barely suppressed tears of pain and gratitude.

Lisbon then joins Jane as the ambulance takes off to ask Jane “So what’s in the tupperware box?” Jane honestly replies “I don’t know.”

Lisbon’s question is continuity to the fact that Jane had told her about the box’s existence when he used it to blackmail LaRoche into giving him his suspect list (strawberries and cream).  But her question here lets us know that she noticed no such box was in LaRoche’s safe and was insightful enough to figure out why the PCU head asked for Jane personally on the case.

Jane asks Lisbon to help LaRoche

Jane recaps to viewers how he originally came to find out about the box’s existence, and how Lisbon had to endure 6 months of anger management classes to keep LaRoche from finding out Jane had hired a man to break into the man’s apartment. He then tells her that the box’s contents might end J.J’s career and asks her to have Rigsby and Van Pelt to try to find out what’s inside it to help him. Lisbon replies: “Our job is to catch the criminal that got away, not protect some CBI agent who might be dirty.”

Poor LaRoche. If readers weren’t convinced by her refusing to use the man’s first name basis in the teaser that she didn’t care for him, then her being so unconcerned about his plight here is more than enough evidence. Perhaps her lack of empathy comes from the fact that the man had previously tried to warn her from protecting her team; something her motherly instinct must resent. Then there’s also the fact that J.J. had been the one to assign Lisbon the detested anger management classes. Although, in retrospect, I can’t but help wondering if they are what had her handle Jane’s Vegas stint/Lorelie affair as well as she did. Anyone else probably would have flown off the handle…

Jane seems disappointed with Lisbon’s stance, as hinted by his “so much for the anger management training” comment. He then tries something else; he tells her that if they find out LaRoche’s secret it will lead them to the missing criminal. Lisbon, always the voice of reason asks Jane why he just doesn’t ask LaRoche. Jane explains “It’s embarrassing and deeply personal”. Lisbon then asks “and it’s in tupperware?”to which Jane replies “Yes, how can you not want to investigate?”

How not indeed?!

In the Strawberries and cream Review, I had said:

Jane later tells the team that for his bluff to have worked so well, LaRoche must be hiding something horrible. I think, given how melancholy LaRoche’s demeanor and his statement to Jane, what LaRoche is hiding is something very sad. And that his statement that Jane is “damaged” means that he can’t believe Jane would threaten him with something so sad. Because while LaRoche may not know Jane very well, he should know Jane has no problem using people’s faults (mistakes) against them. I think he’d only be so affected (almost disappointed?)  if what Jane threatened him with was something he thought Jane could understand. A keepsake maybe, of a lover or a family member?

When LaRoche mentioned that he and “his mother” appreciated Jane’s help, my mind instantly surmised that the contents might have been her ashes, or something similar. We later find out that the item in the box was kept around the same time as a tragic event in his life: his mother was assaulted and raped, and later took her own life due to the trauma. But that wouldn’t explain why he would have a fear of the contents discovered.  Also, in a later scene, something he says to Jane establishes the idea that the contents must be truly horrible, as Jane said in the season three finale…

LaRoche explains the Leak

LaRoche tells Jane that he’s suspected a mole for months now because too many high profile suspects were evading arrests. When Jane tells LaRoche that he hadn’t noticed anything, the latter replies: “That’s because you stop at nothing to close cases for your team.” Jane, pleased, replies “Why thank you,” LaRoche then continues “Other CBI Agents, they have principles.”

-Snap! LOVE LOVE LOVE LaRoche. I also love how the banter recalls the “are we kids or what” statement (Red Queen). We know these two like to verbally spar together. But in this case Jane didn’t seem to derive as much pleasure from it. He replies to LaRoche’s jab into his work ethic, by telling him: “I leaned into that one”. Could it be, just like LaRoche cares about Jane’s friendship, Jane actually cares about what LaRoche’s opinion of him. I honestly think so. Despite differences of opinion, there was always a mutual respect between these two.

In case regulars didn’t guess who the leak was from the fact that Rebecca Wisosky, the actress that portrays Brenda was guest starring in this episode, LaRoche soon tips us off. He explains to Jane that CBI was going to bust into the warehouse of a drug lord, Miguel Leva, only to find the incriminating cocaine disappear before their arrival. Another rich suspect, Tommy Vokler (Little Red Corvette) was always ahead of Jane and Lisbon. Once he was caught LaRoche discovered that he had a secret cell phone and had gotten calls from CBI. Hence, LaRoche’s belief that a CBI employee is on the take.

-Regulars will no doubt remember that Brenda, the CBI’s head of PR was the one who kept providing Vokler with info on the case.

Jane tells LaRoche that at least he has a suspect; whoever is blackmailing him is the leak and once they find hi he’ll be safe. When LaRoche expresses doubt that it can be done before the deadline he was given to stop his investigation, Jane then reassures LaRoche: “Like you said I’ll stop at nothing.”

The two then have the following conversation:

LaRoche: ”You know what’s in that box, Patrick. What do you think of me?”

Jane: You’re going to have to be more specific.

LaRoche: Am I a monstrosity to you?

Jane: “A monstrosity? No. I mean, you’re interesting and complex.

“I am?”

“ And obviously creative. Tupperware.”

LaRoche: “Well, I suppose that’s true. I’ve been afraid to ask that until now.”

Gold. Gold. Gold. Gold. LaRoche’s question, Jane’s clever answer to hide his ignorance, and how quick he was to quell LaRoche’s fears in spite of that ignorance was so very intriguing.

First, LaRoche’s acknowledgment that he feared what Jane might think of him, is evermore proof that he actually cares about Jane. What other proof of regard is needed other than caring about what a person thinks about you?

Second, this fear might be another reason why, after the events of Strawberries and Cream, LaRoche (apparently) kept away from Jane. If he thought Jane knew what was in the box, he could only assume Jane would have researched his past to connect the dots. And if Jane was blackmailing him over revenge of such a tragic event as had happened to his mother, then that would certainly explained the “damaged” comment LaRoche had said to Jane in S&C. It would also explain LaRoche’s later keeping Jane at arm’s. He was afraid of him, both revealing his secret and his possible ill opinion of J.J. After finding out about that secret. PTV was fantastic here, portraying  this new (insecure!) side of LaRoche.

As was Baker. Jane’s reactions and tone were phenomenal. As were his facial expressions. At LaRaoche’s queary, the actor’s expressive expression gave insight into the mentalist’s thought process: he sensed inherently the man’s need for compassion and didn’t hesitate one second in reassuring him, despite not knowing what horror, what “monstrosity” might lie in that plastic box, that he didn’t think he was a monster.

I think, for the first time, Jane realized that he may have more in common in this man than sharp intellect and the ability to get under people’s skin.

LaRoche Start to Panic

Once Jane finds out where the plastic box was left for J.J.’s blackmailer to find, he immediately calls LaRoche to find it. To their disappointment, they find that the box was already taken from the park which was the drop-off point. Then LaRoche sees a man with a plastic container and threatens him at gun-point into giving it up. Jane tells the (as it turns out later) innoncent man “He’s usually very calm I’d do what he says” and checks the box to find out it only has a young kid’s lunch. LaRoche is appropriately apologetic, tells Jane his time is running out, and thanks him for his help.

-The moment was important to see just how desperate LaRoche was to get his box back. It also explains why Jane is helping LaRoche: he says he’s like a puppy that’s rolled onto its back: “You have to rub its belly.” LaRoche accuses Jane of mocking him to which Jane replies:  No, no, I’m happy to rub your belly.” Here, LaRoche responds, “That won’t be necessary,” much to Jane’s relief.

I love these two together XD. Also, J.J. looking at his belly as he said the words made me laugh loud.

LaRoche Feels Betrayed by Jane

When Jane figures out that Brenda is his blackmailer and hence the CBI leak, he takes his suspicions to LaRoche. The man concurs that she’s a likely suspect as most information in CBI passes through her. But he adds that it will take him time to build a case against her; time he doesn’t have before she reveals his secret. Jane tells LaRoche he can take her down before then but he needs Lisbon and the team’s help. LaRoche immediately balks at this idea, saying nobody can know about his box. To his dismay, Jane admits that they already do, that he had to tell Lisbon a very valuable container was stolen from LaRoche’s safe. He assures the man, swearing that that he never mentioned it’s contents, but LaRoche is nonetheless upset: “You had no right to reveal its existence at all.” Jane replies simply: “Lisbon is my partner.” The statement only makes LaRoche feel worse: “Allegiances, loyalties. Yes. Of course. What…what was I thinking?”

Awwwww! Poor LaRoche! It’s like he felt, hoped, that Jane would be loyal to him as well, but now feels like a sad idiot for entertaining such thoughts. Despite his awkward attempts, he’ll never be a friend to Jane and/or Lisbon. Jane seems to understands the man’s dejected feelings based on how bad he looks for the man. I can’t remember the last time I saw him so compassionate to someone other than Lisbon.

LaRoche goes on to break my (and Jane’s heart) a little further: “I understand. You and Lisbon, you’re trusted friends. You do what you will, Mr. Jane. It’s what you’ll do anyway,” before walking off like a puppy who’d been kicked in his gut.

Jane feels really, really bad. He goes as far as to say “J.J. Come on, don’t be like that!” but to no avail. The poor, awkward man goes to lick his wounds in private, much to Jane’s consternation, especially since, he truly is trying to help him.

AWWWWWWWWWWWWWWWW!!!!!!!!!!!!!!!!!!!!!

This scene was so, utterly devastatingly beautiful. It made me cry, not just because I felt bad for LaRoche, but in disbelief that I was witnessing such a fantastic character moment. I LOVE character moments. And by two such unbelievably talented people, by two such profoundly deep characters…. Happy tears were shed all throughout this episode. Then as if that wasn’t enough, Neely’s music was there just egging all the emotions on, taking them so much further than on-screen relationships between two adult men usually go.

Jane Presses Lisbon Into Cornering  Shettrick

Jane, more motivated than ever to help LaRoche urges Lisbon that they need to move against Shettrick. She’s reluctant due to the lack of concrete evidence against her. She also tells Jane “Have you ever thought that maybe LaRoche’s secret should be known?” Jane’s reply is very intriguing “Endlessly. But I’ve come to the conclusion that whatever happened he had punished himself enough.”

-Jane here was probably debating whether he himself wants to know what’s in the box, since I don’t think the idea of exposing LaRoche ever actually crossed his mind. As to LaRoche having punished himself enough, I think Jane came to that conclusion based on a new understanding as to why LaRoche now is such a die-hard stickler to the rules: trying to make up for his past mistake, he overcompensates by sticking to the rules no matter what. It is probably the reason he is such a misunderstood person and alienated by so many people. Even Saint Teresa doesn’t like him…

Jane then goes on to tell Lisbon that she knows in her gut that Brenda sold her out to Volker. That she almost got an eight year old witness killed (Little Red Corvette) and finishes off his speech saying: “For once in your life Lisbon, don’t be the voice of reason, be the voice of wrath.”

It’s a powerful, powerful statement. It’s followed up nicely by little miss fierce saying: “All right. How do we get the bitch?”

I can’t for the life of me find any reason to fault Lisbon’s stance here. The trap that subsequently ended up capturing Brenda wouldn’t have worked, wouldn’t have had any harm (that I could find) if she had been innocent (unlike some of Jane’s other ideas). It was therefore very satisfying  to see her sufficiently lured.

LaRoche regains his Box

When Cho and Rigsby find the tupperware in Brenda’s office, Jane arrives just in time to stop the younger agent from sneaking a peak. He asks Rigsby “Is that yours to open?” The caught agent puts lowers the box.

Jane then returns it to LaRoche, who thanks him for keeping his secret. When the grateful man surmises that Brenda can still bring him down, Jane says that she won’t since she cut a deal with the DA to give up drug lord Leva, and that she won’t talk of the tupperware if LaRoche drops the blackmail charges. At LaRoche’s query on how Shettrick knew of the box to begin with, Jane assumes that she must have asked Culpepper, the thief Jane hired to break into LaRoche’s safe, to give her dirt on the man she wanted to blackmail.

-I liked that an explanation was given for this since this question really would have bothered me.

LaRoche tells Jane that this “concludes our business together” Jane pointedly replies “I certainly hope not.”

I want to hug Jane, so sweet was he here!! Hopefully LaRoche now won’t doubt Jane’s genuine desire for his friendship. We certainly got plenty of hints of their passing time together in Season three. They both could probably use the friendship.

LaRoche then tells Jane that while he appreciates his never asking him why he kept the box, he must have wondered. Jane agrees that he does.

LaRoche then tells him: “I hold this box as a warning. It reminds me to the depths to which a man can sink if he lets himself.  And it reminds me of my mother.

-I can’t help but wonder if LaRoche’s interest, warning to Jane is a result of wanting to protect him from sinking to those depths he’s only too aware of.

Jane bids LaRoche farewell.

Jane asks Lisbon to Leave him Alone

As Jane heads into his attic, Lisbon asks if he looked into the box. Jane replies: “And violate the man’s privacy?”

-Okay, since when does Jane care about people’s privacy? We’ve only seen him so discrete when it is someone he truly cares about (i.e. Lisbon in Red Badge).

Aw, crap. J.J. is gonna die in the finale, isn’t he? Why else would he have been so in focus this season. Note to self, prepare tissues.

Jane then goes on to tell Lisbon “What’s inside the box is of far less significance for me than what the box represents.”

Lisbon won’t leave it alone asking: “I just want to know why you bent over backwards for that man.” Jane, enters his attic, then turns back at the threshold and tells her the following:

“What’s important to know is that a man will go to extreme lengths to find peace. As I must do now.” Lisbon, unaware of the new empathy between J.J. and Jane is understandably confused: “What are you talking about?” Jane replies “Until I come out of this room, I need to be alone, Lisbon alone. No interruptions. No distractions.” Lisbon reluctantly agrees and tells Jane to do what he has to do.

-The difference between Jane’s demeanor at the beginning and at the end of the episode is striking. Here, he is much nicer when asking Lisbon for space. I think perhaps, spending time with LaRoche, who doesn’t appear to have anyone in the world, Jane felt that even Lisbon’s interference in his work is a blessing. I’ve no doubt she does it because she’s worried about him, and he probably appreciates that more now. Not that I doubt he ever did, but the day’s events might have served as a reminder.

The secret is revealed…or is it?

Grace tells Lisbon that she found the address of LaRoche’s mom’s rapist. Lisbon tells her to forget it since Jane is busy and the case is over, but when she learns that the perp, Scott Saynay, lives with his mom, Lisbon is intrigued and pays them a visit. The mother is shocked when Lisbon tells her she wants to ask her son some questions: she reveals that her son is mute: a man broke into Scott’s apartment nine years ago, gave him a sedative and cut out his tongue. She tells Lisbon that the police never caught the man or ever discovered why the crime was committed, nor did they ever find his tongue.

-Woah. I guess we finally know what’s in LaRoche’s box: the tongue of his mother’s attacker. And yet, something doesn’t sit right with me.

The choice of taking out Saynay’s tongue, as opposed to other body parts seems strange and I scoured the episode in search of an answer. Here are some possible clues I found:

-Earlier in the episode Rigsby said that Saynay was on anti-depressants the night he attached LaRoche’s mom.

-We were also told that the only evidence found that Saynay was the perp is LaRoche’s mother’s blood on his clothes. Again, there seemed to be a specific reason for giving us this knowledge.

Could it be that LaRoche took revenge in his own hands because he feared Saynay might plead instanity/lie on the stand and therefore successfully withstand the trial? Did he not want to risk the man getting an “innocent” verdict?

Or…

What if Saynay is innocent and his tongue was cut out, as opposed to any other body part, to prevent him from ably defending himself in court?

Could it be that the blood evidence was planted?

I know I’m veering into conspiracy territory here and I’m loathe to suspect LaRoche of more than what we’re being asked to conclude here, I just can’t shake off the weird vibe I got at the end. I blame the look/demeanor of the actor that was chosen for the role of Saynay. He doesn’t look like a sick or evil rapist. He looks like a broken boy. I guess that might be a natural result of incurring LaRoche’s vengeance; he has to live mute forever as payment for his terrible crime. But what if his demeanor is actually that of an innocent man who suffered unfairly? I know what I should think: the obvious conclusion which, based on Lisbon’s smile of comprehension she came too as well. But something just feels off somehow.

Speaking of Lisbon, under the disturbing circumstances, I might have been a bit surprised (disturbed?) by her amusement, except I am positive it was mostly ironic due to finding out something Jane doesn’t know (thought he probably guessed as much) and at the fact that Robo-cop LaRoche, whom is even more by the book than she is, had veered off the law so terribly in the past.

Best Lines

“You know we can have someone handle the dog.” Lisbon, to Rigsby, on his holding LaRoche’s dog.

“Oh yeah, I know,” Rigsby in reply to the above, holding on more tightly to the gorgeous white fluffy animal. Of course Rigsby loves dogs.

“I hope you learned something.” Jane, to Lisbon, when she recalled the anger management classes. Lisbon’s light smack, coupled with a beautiful smile to let Jane know she was only kidding, is the closest thing we’ve ever gotten to her flirting with Jane. Not that I’m saying she is, here. Pity Jane was too intent on LaRoche’s case to notice. He reaction might have been telling.

“Tupperware is never handy, it’s always in the wrong drawer.” Rigsby, to Lisbon.

“And when you do find it the lid’s always missing.” Grace, in reply to the above.

“Right? I hate that.” Rigsby, again, in reply to the above. I love how this short exchange hints at Grace and Wayne’s newly on relationship. They’re just so in tune, which shows how much they’ve matured as opposed to their bickering spats when they had a relationship before.

“Since when do we attend autopsies?” Lisbon, to Jane. Since the pilot, dear Lisbon.

“I’ll take your word for it.” Lisbon, to the coroner, declining to see something in the body. It’s intriguing to see how Lisbon here isn’t shy about showing her disgust, as opposed to professional Lisbon in the pilot, all professionalism in front of Jane (more of a colleague, less of a friend at the time). I’m more inclined to think it shows that she’s less uptight around Jane than to think it a lack of continuity.

“You’re father was losing the use of his hands he needed help so he taught everything he knew to the woman he trusted most.” Jane, to the victim’s daughter, on how her mom knows how to open safes. The line seems like a pretty good explanation for Jane constantly wanting to teach Lisbon his methods as well.

“Oh, Lisbon it doesn’t matter what was inside. The exciting part is the mystery of not knowing. It’s what makes the journey memorable.” For a nosy man like Jane this entire line seems like a load of crap. I’m thinking he said it to prepare Lisbon for the fact that she’ll never find out (not from him anyway) about what is in LaRoche’s box.

“Sacramento’s most eligible singles? Or should I say sexy spinsters of Sacramento. –Jane’s inquiry on what Lisbon is being interviewed for. I guess it could be possible that it was Brenda Jane was flirting with, but I don’t think so. especially considering the previous episode. I think his statement here is continuity on how Jane is making increasingly suggestive remarks regarding Lisbon, and how, while not encouraging him, she isn’t exactly shying away from him either. I remember asking this before (and being outvoted), but I can’t help wondering, again, if the writers want to prepare us for the fact that a Jane/Lisbon romance will (has already been) established off screen…

“Let me do what I do. You do what you do. Whatever that is.” Brenda, to Jane, when he challenges the point of Lisbon’s interview. Baker and Tunney’s shared amused glance at the jab was great fun.

“LaRoche is pressed for time, we’re doing fine,” Lisbon, in reply to Jane’s statement that they’re pressed for time. Again, it’s interesting to see how more vested Jane was to help LaRoche than Lisbon is.

“Trading favors and inside information to anyone who’d have you…Just another political phony on the take. Baa.” Jane’s powerful soliloquy explaining Brenda’s motives, making the noise of a sheep at the end, mocking her earlier statement of suspects being sheep taken to the slaughter by showing her that she’d turned into one long ago. Baker showing his characters merciless derision here was a fantastic contrast to the empathy Jane had shown for J.J. throughout the rest of the episode.

Icings on the Cake

J.J’s dog doesn’t like Lisbon. Maybe she’s jealous of her?

Karl Sonnenberg looks very imposing and photogeneic. Truly loving all the screen time he’s been given.

Lisbon telling Brenda that she didn’t read blogs, and Shettrick telling her that she should made me smile.

Honorable Mentions

David Paymer (AKA the San Joaquin Killer) directed this episode. And what a marvelous job he did of it. I loved all the focus he had on the player’s faces. Viewers didn’t miss a single facial expression. Then there was the angle he used to show us Lisbon on camera. I know it turned out that Shettrick was the one watching her, but at first I could swear angle suggests RJ was watching the interview as well.

I’ve already flailed plenty about Simon Baker and Pruitt Taylor Vince. But Rebecca Wisosky was fabulous as well. Especially at the end. Her portrayal of Brenda’s mortification and shame during interrogation, as Jane painted a pitiful picture of her decline into becoming corrupt, was extremely well done.

Tunney was marvelous as well, especially at the end in portraying how hard it was for Lisbon to succumb to Jane’s wishes of being left alone. Worry doesn’t seem to be her main (only) difficulty here of letting go. You can tell that she’s going to miss him as well.

Blake Neely’s music as as emotionally manipulative as ever. What would the show be without it?

Best Scenes

I CAN’T CHOOSE THIS IS TOO HARD YOU CAN’T MAKE ME!

Readers, please share your own favorite scenes.

Conclusion

In the comments to the last episode’s review, Pheonixx said something which I not only completely agree with, but saw some evidence of in this episode:

Also wouldn’t it be harder on everyone -when you know you can’t be with someone- to push the person away and not act on your feelings but then you realize this person reciprocates your feelings. If you knew that other person only sees you as a friend that’s one thing but if the possibility of a relationship presents itself, I personally think it’s becoming harder for Jane to stay away therefore he might act even worse.

This theory is supported by Jane’s behavior in this episode. There was a sense of urgency at the beginning when Lisbon interrupted him. His (yelling!) telling her that he’s busy, her not wanting him to be alone, his urging her once more at the end, her relenting (though not easily) to let him to what he has to do….it all seems like the writers are laying a foundation for something. Could it be that now that Jane has real reason to believe Lisbon might actually be returning the depth of his emotions for her, he feels more anxious than ever to catch RJ? Or could it be his fear for her safety is increasing, maybe as a result of their increasing regard?

Then there’s the fact that Lisbon appeared on camera to say the following, as a comment on the break in to LaRoche’s home:

“It’s stark evidence that no law officer is ever truly off duty. We’re all targets. But J.J. chose to be a CBI Agent which is a life of serving other people…”

I wonder if RJ saw Lisbon’s interview. If so, will he be tempted at all to prove to her just how true her statement is.

Then there’s the fact that the reason Lisbon gave the interview is because, as she and  Shettrick told Jane: “Bertram wants to put a public face on the LaRoche break in, to assure the public that we are not rattled by criminal attacks on our people.”

Now Shettrick might have been lying. Bertram might never have ordered the interview, she just arranged it because of the access such an interview would give her to LaRoche’s case, without Lisbon ever suspecting her.

But what if the interview really was Bertram’s idea? The idea kept nagging me especially as I researching the past reviews for previous analysis on LaRoche’s character. I ran into previous suspicions raised into Bertram’s character in season three when he, LaRoche, and O’Loughlin were all introduced. I’d always found him and Craig to be more suspicious than LaRoche.

-He quoted a William Blake poem in front of Lisbon (perhaps to ascertain how much info on RJ Jane shared with her).

-He’s the one who told LaRoche about Hightower’s affair with the CHP officer, thus implicating her in the murder of Todd Johnson (Red Queen).

There were other things as well, but those were the main points I remembered. And now, we have Bertram wanting Lisbon (not J.J, who was most involved) go live on air saying that she’s not afraid of attacks. What is going on?

I. SO. CAN’T. WAIT. FOR. THE. FINALE.

Image by Chizuruchibi. Copyright Reviewbrain May 2013. Not to be used without permission.

Image by Chizuruchibi. Copyright Reviewbrain May, 2013. Not to be used without permission.

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Mentalist Behind the Red Curtain (mini) Review


Note: I wanted to give my lovely, lovely partner Violet a break but as I’m swamped I could only churn out this mini-review from memory. Warning: unedited! Thank god for all you fantastic readers, I’ve no doubt you’ll let me know if anything is *too* off base ;)

Synopsis

When a young actress falls to her death in Sacramento, CBI Agent Teresa Lisbon (Tunney) calls in her consultant Patrick Jane (Baker). Unhappy with being dragged from the hospital where he is waiting for Lennon(Christopher Cousins) a vital witness in the Red John case, to wake up from his coma, Jane charms a nurse to call him as soon as Lennon wakes up, hoping to question him before Homeland security’s Agent Kirkland (Kevin Corrigan).

Concise Verdict

Star power doesn’t make an episode. But when coupled with the humor of writer Erica Green Swafford and poignancy of Eoghan Mahoney scripts, it’s a sure recipe for a winner. Well played. Hope no legs were broken in this one.

Detailed (not so humungous) Review

Some points to ponder…

Jane/Lisbon

“You’re creeping around Lennon getting into Kirkland’s business. Of course I’m glum.”

-Loaded statement right there. I like the continuity of Lisbon’s trust for Kirkland. Might this subtext be the reason for Jane’s later statement?

When Jane tells her he needs to talk to Lennon, Lisbon replies that he needs to follow the rules for a while, adding: “If you must break the rules break them on your own time.”

Jane then replies: “When am I not on my own time?”

-Ouch. Ouch, ouch, ouch. The reason the little jab hurts is it’s kinda actually true. Jane is a consultant. I don’t know if he gets paid by the case or by the hour but freelancers aren’t usually subject to the same stringent rules as regular employees. Also, somehow the way Baker read the line also felt like a veiled threat: stop bugging me or I’ll quit. Not that he’d ever do so, of course…

Rispelt

Image by Chizuruchibi. Copyright Reviewbrain April, 2013. Not to be used without permission.

Image by Chizuruchibi. Copyright Reviewbrain April, 2013. Not to be used without permission.

The fact that Rigsby didn’t hug Van Pelt when she returned to work after her trip is a real tip off on his (back in full force ) crush; he’s trying to hide it (not so successfully) by keeping a professional distance. Heck, even Lisbon hugged her! Which , by the way, was lovely continuity to how close they have become.

Kirkland is RJ?

When Lennon wakes up from his coma, the first question Kirkland asks him is:

“You recognize me? You ever seen me before?”

Lennon replies: “No.”

Does this mean that, while Lennon worked for RJ, he never had actual contact with him? If that’s the case then why did Lorelie have to shoot him? I’m inclined to think that she thought that she was protecting Jane; by going after RJ herself.

But then why would Kirkland need to ask Lennon if he recognizes him? Was he worried that Lorelie might have revealed RJ’s identity to Lennon before she shot him? Maybe, as she was interrogating him to find out if RJ did in fact order her sister’s death?

Kirkland then tells him that he’s doing him a favor by killing him “I just hope that if I am ever in your shoes I have a friend close enough to do the same for me.”

-I doubt  (RJ?) is being serious here, but if he is Jane might want to reconsider killing him when he catches him. Having him rot in jail would probably be an infinitely worse punishment.

When Jane shows up, Lennon is already dying and he looks at Kirkland suspiciously. I wonder if this doubt is new or if was always there? Could that be the reason behind his (biting?) tone after Lisbon told him to leave Kirkland to his job? Or, if he just resented Lisbon’s friendship with Kirkland (i.e. tone when he said “you’re new best friend” in Red Sails in the Sunset”) and the suspicion is new, how will it affect his friendship with Lisbon?

I think Kirkland is to Lisbon as Lorelie was to Jane. But with one major difference. While Lorelie was a known criminal that Lisbon resented Jane’s interaction with for so many justifiable reasons, Jane doesn’t have more than his gut when it comes to any suspicion he might have of Kirkland. Jane didn’t believe Lisbon’s suspicions that Lorelie was playing him. She turned out to be right. Would Lisbon believe Jane if he warns her about Kirkland? We saw her reaction when she defended the FBI in this year’s premiere. She told Jane she wanted to believe in something without always being suspicious. Does that desire still exist? Does she have another reason to want to believe Kirkland? An attraction to him maybe?

I remember one commenter (who are you?!) stated that maybe RJ wants to get back at Jane for turning Lorelie by getting close to Lisbon. If Kirkland is in fact RJ, then you were really on to something!

Can’t wait to read your comments! In the meantime, here’s the rest of the review:

Icings on the Cake

Ron got a line! Ron got a line!!!

Donna Murphy. Beautiful, beautiful, talented Donna Murphy.

Co-written episode. A combo of fantastic writers.

La Roche! This was my reaction when I saw him/figured out Jane would ask for his help: HEEE!!!!!!!!

Best Quotes

“That’s my arm you have two of your own.” –Jane, to security/homeland security guy kicking him out of the hostpital.

“I don’t know how anyone lives there.” Grace, to Rigsby on LA. Bet the actors got a kick out of that line.

“I know you’re only talking to me to get information out of me but its been nice. You make me smile.”-Aww!

“She would if you told her the truth.” –Jane, on Lisbon. Nice continuity; shows Jane knows Lisbon enough to know that she more likely to understand/support him if he shares information with her. Took him long enough to figure out…

“What is it that every foster child is looking for?” –Jane. So sad but true. Kids want their parents.

“Trust me you’ll have fun. Was there ever a more suspicious phrase?” LaRoche, to Jane.

“J.J. You have to live a little. You spend your days chasing paper clip fees. When do you ever get the chance to nail a killer.” –Jane, to LaRoche.

“Would an accent help?” LaRoche, to Jane, practicing his role.

“Excuse me, your coat is playing the 5th symphony.” –LaRoche to perp.

 

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Event Recap: Middle East’s First Film and Comic Convention


In anticipation of the Middle East’s second Film and Comic convention, which will be held on April 5 & 6, 2013, here’s a review of it’s first which I had the delight to attend last year.

The Venue  

The event was held in Mina Seyahi (Dubai’s International Marine Club). Tickets were either purchased online or at the location itself. Cheerful volunteers were at the ready to give visitors their convention bands, conveniently color coded to represent the type of pass purchased: day, weekend, and VIP. Goodie bags containing posters signed by Street Fighter’s Alvin Lee, among other surprises, like free celebrity autograph  vouchers were also included.

Upon entering building, most visitors headed straight for the main MEFCC booth to buy tickets for celebrity autographs and photo’s. Luciana Carro, John Rhys Davies, Jason Mamoa, Mark Sheppard, Sammy Clark, and Jihad Atrash were the guests who sat/stood for autograph and/or photo sessions.

Eager fans purchase autograph and photograph tickets.

Canadian/American actress, The Walking Dead’s IMG_0572beautiful Laurie Holden was also there. When  I asked about her tough performance in the season two premiere (the zombie in a trailer scene), Holden shared that she had stabbed the zombie  so hard she actually dislocated four ribs while filming! At my shock she explained “We go all out on the show. “  Laurie went on to recall that a nurse was sent home to her once to make sure she was okay after she got a concussion working on another episode. Now that’s dedication for you.

But actors shouldn’t have to get injured in their work, according to John Rhys Davies. During a chat with him in the green room, I couldn’t help but notice a prominent scar that began on his right forearm. He shared it was due to having  had a mosaic wall of stone fall on him during one of his projects, breaking both his back and arm!  “I was very lucky” he stated, before adding that actors shouldn’t have to die at work, despite the fact that “the world would probably improve by the death of a lot of actors.” And just in case the twinkle in his eye wasn’t enough, the conscientious actor added, “make sure people know that was a joke.”

John Rhys Davies. Photo copyright Reviewbrain, 2012.

I doubt anyone who had the privilege of meeting the Lord of the Rings star would misunderstand his meaning. Listening to him talk about his family (two grown sons and six year old Maya), he exudes an undeniable aura of love, compassion and wisdom. A combination which obviously won over fellow guest, Max Landis who called Davies his friend.

Speaking of the energetic and highly original young screenwriter (“Chronicle”, “The Death and Return of Superman“) Landis was an absolute and instant hit with the fans. Not even accidentally dropping the F-bomb on stage fazed him or his audience; he quickly fixed it by going: “Everybody say ooooh!”….which everybody did.  Talk about a lesson in how to fix a #theawkwardmoment,  people. Seriously, the man was pure energy, all over the place, giving his %110, even off the stage.

max

What a smile. Photo copyright Reviewbrain, 2012.

It’s no wonder he was asked back for this years con. This year I’ll be bringing bringing two fully charged phones and an extra video camera (in case mine gives out like last year) the better to keep up with his endlessly witty quotes.

Another guest who captivated the audience’s attention (and never ending devotion) was Mark Sheppard. He completely made my day with his generosity when he agreed to a short interview before I had to catch my flight out of Dubai.

In retrospect, I don't know how survived... Reviewbrain, 2012

Photo copyright Reviewbrain, 2012.

His Q and A session with Luciana Carro was definitely one the Con’s highlights. The beloved English actor (Battle-star Galactica, Dr. Who) was utterly charming and as equally candid (on piracy) as he was elusive (personal questions).

More celebrities included Jihad Atrash and Sammy Clark. The two’s panel discussion over their joint work on the beloved Arabic Dub of Go Nagai’s classic eighties Japanese anime UFO Grendaizer (also known as Goldarak, extremely popular in Europe ). The fans were so interactive during the Q & A, and the guests so obliging, that a subsequent autograph session was postponed for almost an hour.

atrash clark

Left, Jihad Atrash. Right, Sammy Clark. Center back, UFO Grendaizer (AKA Goldarak) :) Photo Copyright Reviewbrain, 2012.

But the celebrity experience was not the only thing in store for us geeks (although meeting Ashraf Ghori was certainly nice). Jashanmal Comic village was a sight for comic lover’s eyes where writers and publishers could be found promoting their works and sharing their vital knowledge and experience.

marvel

Photo copyright Reviewbrain, 2012.

Marvel had a booth as did  Mark Smylie (Wizard’s of the Coast, Artesia) and Anthony Del Col and McCreary (Kill Shakespeare). The former discussed his work at Archia Entertainment, publishing graphic novels as well as the process of acquiring rights to do work on existing characters in a video interview.

Anthony Del Col also shared his experience creating Kill Shakespeare. When asked how he managed to keep the graphic novel from being labeled as just another fanwork, Anthony replied that the work has to be powerful and unique enough to speak for itself, while at the same time maintaining the authenticity of the original characters. Because this delicate combination was achieved, even die-hard Shakespeare fans were able to enjoy the novel.

Conor McCreary, co-writer of Kill Shakespeare. Photo copyright Reviewbrain, 2012.

Conor McCreary, co-writer of Kill Shakespeare. Photo copyright Reviewbrain, 2012.

After getting my copy autographed, I went upstairs to explore the artist alley. There were a number of supremely talented people, but my favorite by far was Luis Vasquez. His style consisted of simply drawn but gorgeously expressive pieces, moody, but with vibrantly colorful focal points. One piece in particular, of a boy holding an injured bird had a special story: “I was on my way to a class when I saw a bird lying on the ground. I felt very sorry for it and gave it some water. After my class I returned to where it was and the bird was gone. I like to think that the drink helped it and it flew away.”

Artist Luis Vasquez, Photo Copyright Reviewbrain, 2012.

Artist Luis Vasquez, Photo Copyright Reviewbrain, 2012.

The piece hangs proudly in my home and seeing that he’ll be attending again this year, I hope to purchase another.

There was so much to see, and so little time. Between the cosplay and art competitions, the lectures on screenwriting and panel discussions, the comic con was a whirlwind of activity. Simply put, it was a creative person’s heaven and I absolutely cannot wait for this year’s con!

Happy crowd milling about ground floor.

Happy crowd exploring ground floor.

Relaxing in the shade, Waiting for guest performances.

Relaxing in the shade, visitors wait for guest performances to start.

stage

Full house!

The balcony; perfect location to observe out door activities.

The balcony; perfect location to observe out door activities.

Audi's super-hero themed rides.

Audi’s super-hero themed rides.

Japan Cultural Center’s space.

Gentleman Ashraf Ghori, Xpanse CGI productions.

Ben

Ben and Nisrine, ExtraCake’s power couple, creative force behind MEFCC.

Special thanks to Ben Caddy, Nisrine, Araafat Ali Khan, and Julie Catilin Brown for arranging the celebrity interviews. More photos coming soon!

Visit the following links to find out more about Middle East Film and Comic Convention and Extra Cake.

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Mentalist The Red Barn Fan-Review


Hello everyone!

Yes, you read that right. It was bound to happen sooner or later. Real life came out full force this month and doesn’t show any sign of letting up soon. As I’ll be very busy the upcoming months I’ll be relying on you, dear readers, to review this episode by offering your fantastic comments as usual. I’ve been staggered with your responses over the years, so much that I don’t think my presence is even needed much anymore (though it would be nice to be missed ^_^)

I still love this show to pieces but reviews can’t take precedence over my career. Maybe I’ll be able to free my schedule to write some more in the future. But if not, please do come here for the discussion. I know I will; your opinions on our favorite show always make me think, smile, and laugh.

Mini-verdict: With regards to this episode,all I can say now is wow. Tom S. wrote an equally funny and important episode. Oh, and I loved the direction by Allison Anders. Baker and Tunney are as talented and delightful and in tune and perfect as always, etc. etc. But so was everyone and everything else.

    Image by Chizuruchibi. Copyright Reviewbrain, February 2013. Not to be used without permission.

Image by Chizuruchibi. Copyright Reviewbrain, February 2013. Not to be used without permission.

Sweet episode. I was only able to watch it once though, so I’ll grade it after that second viewing. For now, here are some possible topics for discussion:

Visualize

I’m just going to point out that All-I-Need pointed out way back in Season three that he’s probably a member of Visualize, to which I replied that he might have been one who went rogue on them after learning all their secrets; a possible reason why Stiles knows so much about him but doesn’t like him (besides the fact that he killed all those women, I mean).

(not) Jealous Jane?

First the stripper, then Haffner. I thought Jane took the attention Lisbon was getting very well. In fact, he was downright sweet about it, going to catch the case with Cho and leaving her to enjoy her spotlight.

Ray Haffner

I don’t think Lisbon suspected he had anything to do with the crime; just wanted to ask him if he happened to notice anything. But his reaction “we’re still friends, why would you ask me that” raised a big red flag. Hence her going to talk to Jane.

Are We Partners, or What?

One word: Finally. Now excuse me while I get another box of tissues…

Bonus:

Robin Tunney got engaged! Woohoo! Read all about it at: Robin’s Green Shades.

Chizuruchibi is selling a calender featuring her art! Check it out here.

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Mentalist Little Red Corvette Review


Note: This review was co-written by the fabulous Violet. Thank you so much for your invaluable help. She wrote the entire review, I just added my own bits and pieces to it. Basically, everything smart, she wrote. Everything else was me. I indicated our names where necessary to lessen confusion.

UPDATE: I had accidentally copied an earlier addition of the review; so people who’ve already read it might notice changes.

Synopsis

When Lisbon (Tunney), Jane (Baker) and Cho (Kang) are called to a warehouse where a two months old corpse has been found, they quickly come to the conclusion that the victim was supposed to testify in a trial against criminal billionaire Tommy Volker (Henry Ian Cusick). Jane’s discovery of a red toy car has them guess the murder has been witnessed by a little boy, Marvin Pettigrew (Emjay Anthony), who has been missing since then.

Concise Verdict

It’s rather hard to have a definitive opinion on ‘Little Red Corvette’ as many questions are raised yet we get too little answers and, while the overall writing is rather good and enjoyable, a few pet peeves temperate that good impression: at the very best, a lot is left to the viewers to deduce on their own. Nevertheless, this nuanced and intriguing Lisbon version of ‘Blinking Red Light’, where she too has to make a choice between justice and law, certainly marks a step stone.

Reviewbrain: Personally the episode was much better than I had hoped (considering my dark expectations), but it was simultaneously not as good as I expected (especially from the genius of Woodruff). There were a few scenes that left me wanting to bang my head repeatedly against a wall which I’ll get into below. 7.5/10

Detailed AKA Humongous Review (spoilers galore)

VIS # 1 Lisbon and Jane at the crime scene

When the victim’s identity is revealed, Lisbon and Jane explain together that he was a missing witness in Volker’s case. Although it is never clearly stated, it appears that both have been talking about Lisbon’s most sensible case; she knows every detail of the file, but Jane too, as expected since he accepted to help her get Volker. But it seems that Jane has an interesting way of doing so and the following exchange between Jane and Lisbon about Volker’s presence during the murder is quite revealing:  

Jane: “But you think he was here.                                                                                                        

Lisbon: “He gets off on watching his victims die. I need Volker’s DNA.”

Jane: Just go and ask for it.   

Lisbon: You think he’ll give it to me?                                                                                                     

Jane: Yes, Volker’s arrogant, he likes to pretend he has nothing to hide.”

First, how does Lisbon actually knows about Volker’s penchant for watching people suffer and die? I think she made an educated guess. She was able to watch and analyze his behavior with her. He came to purposely watch her distress and revel in it right in front of the crime scene where Amanda’s body was being collected, and he did the same thing when he came to her office in ‘Days of Wine and Roses: he could have gloated and taunted her on the phone, but he bothered to came in her den to watch first hand how uneasy and upset she was. She’s certainly clever enough to figure that he really wanted to watch her. Moreover, both Amanda and this victim have been strangulated: in almost every cop show, they precise that this manner to kill implies a sexual aspect (because of the physical proximity and touch): this is common TV knowledge. This method was justified for Amanda, as they tried to pass her death as suicide, while it wasn’t justified here since the body was hidden and left to rot. They could have simply shot him… hence the conclusion: that particularly painful method for murder must have been requested, then Volker must have been here to enjoy the show… This rapid and confident analysis from Lisbon reminds of Jane’s own about tech Brett Partridge in the pilot: he told him he was a “ghoul” who got off on gore, just because Partridge was gleeful on a presumed RJ crime scene.

Second point, how does Jane know that “Volker’s arrogant, that he likes to pretend he has nothing to hide? Those last words were what Volker told Lisbon in the previous episode. Conclusion: Lisbon told Jane about Volker’s visit in her office and that he has threatened/harassed her. Since Lisbon is someone very private and doesn’t like to appear weak, this is pretty interesting as she could have let him on the case without sharing that humiliating tidbit. And that might explain his deception when she refused to let him come with her to confront Volker. Last point, Jane doesn’t tell her what he can deduce or what to do. He systematically asks her what she thinks and helps her to fill the blanks.

Reviewbrain: I really like your analysis as Lisbon’s statement regarding Volker’s sociopathic ritual, which came really out of the blue for me and totally took me out of the episode before it barely began. But even if you are right, I must say I still have two problems with the scene. First, if we are to believe that Lisbon made a leap and deduced that Volker enjoys watching his victim’s get killed, wouldn’t she also be able to figure out the easier question of how to acquire his DNA? That he’s egotistical enough to give it to her? Especially considering how it was only in the previous episode that Volker flat out told Lisbon to just ask him if she wants anything?

It seems like the point of the scene (and the episode, in fact, as Violet later explains) was to establish that Lisbon has benefited a lot from Jane’s expertise; that she is able to make her own deductions, but that she still needs his help. Therefore, it was important to have her make a good call, then have Jane help her along with another one. Which is fine. But her making a smart conclusion, only to have Jane clue her in on an issue she should already know is actually counter-intuitive. It might have been better if their roles had been reversed; Jane calls Volker out on having been on scene; then she elaborates and adds based on what she knows of the man that she’ll just ask him for his DNA. This way, Lisbon’s train of thought would have been much more obvious (to viewers) and the scene might have been more logical instead of having Lisbon turn mentalist (without Jane ever remarking on it!) only to have that prowess be contradicted by having Jane point something out to her which she should already know.

To be fair, I guess it’s safe to assume that Lisbon might have though Volker was lying with his “transparency talk”; but she could have said so. The lack of continuity to her and Volker’s conversation from the previous episode seemed like a waste of that powerful scene.

I also noticed Jane’s annoyance when Lisbon said she didn’t need him to come with her. And I think Violet, you’re right, it is what later spurred his own visit to the man; along with needing to find his lackey, of course. Glad you discussed it more in VIS 4 & 5 below…

VIS # 2 and VIS # 3: Jane gives advice to Lisbon

Jane eagerly asks Lisbon her visit to Volker has gone; she answers him and he adds ‘But?”. Lisbon then explains that she’s convinced that the file contains an important document but has been sealed, so she can’t have access because “that’s the law.” Jane’s answer? “But if you want Volker, you can’t let that stop you.” At Lisbon’s request, he suggests to ask Ardiles and, after she remarks that he’s not going to give her access, adds “Of course not! But he’s a smart lawyer.” You need to get something on him to make him help you”. Lisbon’s voice drops at that and she almost whispers conspiratorially that it’s blackmail, then she lowers her voice even more and asks him how she can get tips on doing that. Jane: “Ask yourself this: who makes it their business to know what no one knows.” Lisbon then goes to Brenda Shettrick from Public Relations and gets her information.

During the whole conversation, once more, Jane gives Lisbon advice, but he doesn’t impose his views: there is a difference between advices asked for and his usual manipulation, even if the results are basically the same (not following the law). He doesn’t tell her what she has to do or how, he just helps her to think.

Reviewbrain: I agree. Jane here is the major reason why I liked this scene too.  I also loved seeing Ardiles again; although I wish it would be under better circumstances. In episode Rhapsody in Red, which introduced the ADA; I had felt from their familiarity that they liked and respected each other. Despite his falling out with the team in the episode, Ardiles and the Serious Crimes Unit has subsequently mended their fences (At First Blush). This is why I would have thought he and Lisbon might have been able to just talk where he agrees to give her the files without her needing to blackmail him (as opposed to a complete straight arrow, like Sarah). Instead, we have Lisbon expositing to Jane that Osvaldo won’t help her; and the man proves her right in a later scene. I hope I am wrong and there is another point to the scene (new plot with Ferland case?) other than Lisbon’s character development. Cause otherwise it would have been sad to have their professional relationship once again be strained. Did I mention I like Ardiles?

Violet: Later, Jane finds her working in her office after returning from interrogating Marvin’s mother. A few moments earlier, we had a glimpse of her when Risgby found her hunched over the file Ardiles provided her with, in front of a mug of coffee. During Jane’s visit, we can see that a few things have been added, such as scattered documents and take-out leftovers. Somehow, the whole setting reminds of Jane’s attic: the consultant is the one who usually spends the nightly hours working on his notes on the RJ case and sitting in front of a teapot and a cup. Jane even assumes Lisbon’s customary role as he tacitly tries to convince her to go home (“What about you ? Burning the midnight oil, I see”). In response to his unspoken concern, Lisbon gives him basically the same speech she gave Judge Davis in the previous episode: “Jane, Amanda Shaw was my witness, I gave her my word that I’d protect her and Volker had her killed.”

That starts to sound as a blanket line to explain her motivations without delving on her emotions, like how “He closes cases” was her standard reason to explain why she kept Jane around. That way, she can convey her sense of responsibility while conveniently sweeping under the rug the other emotional implications she’s not prepared to acknowledge let alone voice: her guilt for endangering someone and not being able to save her ; her obsession for being everyone’s savior (indicated by the golden halo the peep hole gave her when she went to see Amanda in ‘If It Bleeds, It Leads’), her self-doubts, her anger (she smacks a vase against a wall later) and maybe her underlying fear of not being able to save Jane, like she failed Amanda. And, once more, Jane’s attitude is oddly quiet, he doesn’t call her on her half-truth, he just takes a sheet of paper, sits down next to her and digs in what is left of her food while helping her get through the file… He’s silently supportive. Here’s the difference with all the attic scenes we got so far, as in those Lisbon tries to get a brooding Jane out of his misery. Here, Lisbon is actively trying to make some progress and he doesn’t try to dissuade her, on the contrary, he helps her and keeps her company.

Reviewbrain: Violet, you mentioned everything I loved about the scene. I personally found Jane’s demeanor wonderfully in character; he is always quietly supportive of Lisbon whenever it is something truly serious (Red Tide; Red Badge).

Alternatively, this is also the scene that had me groan out loud. At this point in the show, I expect more than to just have Lisbon recite the exact same motivation to Jane that she did to Judge Davis in the previous episode, even if it does fit her personality to do so. I am also less than happy with Lisbon blaming herself for Amanda Shaw’s death, to Jane, who we all know feels guilty for his family’s death. The circumstances aren’t the same; but the feelings are. Could this be a relapse of Lisbon being a bit out of touch, emotionally, with the people around her (Throwing Fire, Bloodstream). What is interesting is, as always Jane here knows her enough to not take offense or react at her apparent lack of empathy; he knows she is distracted and has other things to worry about. And, like you said, he’s giving her the space she needs as opposed to confronting her on her need to save people. An interesting thing Windsparrow mentioned in a comment a while back is, while Jane only feels compelled to protect those he cares about, Lisbon feels for all people. Perhaps his understanding of this is another reason for his restrained and compassionate silence here.

But I will always be annoyed at the untapped opportunity for a discussion here. It is a great scene, beautiful even, but it’s such a tame one too, considering how big and important this case is. Time must have been an issue (see Pet Peeves below) but if so then I think I would have preferred Lisbon not say anything at all. Jane, just looking at her hard at work, joining her to help would have been powerful enough. It’s not like regulars needed a reminder why the case is important to Lisbon. Nor was Amanda’s death the only reason Volker needs to be caught. The man has people marked for hits like he’s taking out flies; for crying out loud. But moving on…

Violet: Jane further supports Lisbon later when she tries to get a warrant: during their phone conversation, he insufflates enough confidence that she goes back to Davis’ office and convinces her with a impassioned and pressing speech. As a consequence, we can see that Jane’s been helping her out by:

1) getting her to follow her own ideas to their logical conclusion. He’s not implanted a suggestion in her mind, just answered her questions with other of his own to get her to elaborate her plan of actions. Lisbon has showed an instinct as a manipulator (forcing Bertram to give her free reign on her case in ‘Red Alert’) and her expression when Ardiles left her was pretty revealing: she’s thoughtful then her face relaxes in an almost smile.

2) giving her more self-confidence. Like he did in ‘Blinking Red Light’ when he got her to trust her instincts on a shady suspect.

3) making her better at reasoning and elaborating schemes. She understood on her own that Volker enjoyed watching his victims die and that he must have been present during the murder. And she thought immediately that Volker would be aware of her intentions when she spotted the camera on the reception area of the company she was visiting with Cho: just like in ‘Blinking Red Light’ again, she saw the camera and the idea unraveled in her head…

4) breaking the law: he made her agree that justice isn’t necessarily lawful… so here she does things because, as she told Brenda, it’s “worth it”, a dangerous logic that Jane amply shares… But more on this later.

This episode therefore showed that Jane’s progressive grooming of his partner is getting results; but, oddly, he doesn’t bring out the notion that he wouldn’t always be around as he did before his escape with Lorelei. On the contrary, he’s discreetly supportive and even quite respective instead of patronizing like he usually is.

VIS # 4 and VIS # 5: Jane confronts Volker

But this rather passive way to help her out isn’t the only one Jane uses. Even though their role reversal leaves him with the minor leg work while the unlawful, manipulative aspects are at Lisbon’s charge, he doesn’t take too well to being left behind when she visits Volker alone. Jane engineers his own face to face with Lisbon’s enemy: he goes at a school Volker is visiting and pressures him. He presents himself as Lisbon’s friend and tells him that he took the chance to meet him since he wouldn’t have the occasion to introduce himself after they arrest him… before grabbing his arm when the man starts walking away. Volker’s glance in reaction to his taunting reveals the identity of his second hired killer, thus Jane’s little mind game is justified to some extend, but it still appears as a pretext to assert himself on Lisbon’s side: after all, following Volker for a while would have been enough to spot the second killer… Instead, the meeting gave Jane to occasion to defend Lisbon’s position: there is no use for Volker to keep pressuring her because she is not alone in this, and they will succeed. The personal element (“friend”, not colleague or consultant) is reinforced by the power gesture of touching him rather forcefully: by coming in Volker’s comfort zone, spatially (the school where he’s loved), physically (grabbing his arm) and mentally (affirming that they will arrest him), Jane basically puts the equal amount of pressure on Volker that he’s been putting on Teresa’s by harassing her in her office; he shows that he’s not afraid and that he’s a powerful ally to Lisbon.

Later, Jane’s protectiveness shows again when Volker comes to gloat after he managed to sabotage once more her plans and subtly threatens her in the bullpen. The scene is public: everybody in the open space seems aware of who he is and what has happened –Lisbon asked for back-up to search the company their victim had been working at. Everyone freezes and watches the scene unfold; even Cho is as nonchalant and stoic as ever but stays watchful. Volker’s willingness to humiliate her publicly in front of her men and colleagues is patent and Lisbon reacts the same way she usually did with him, she tells him to leave. While Volker pretends to be transparent and have nothing to hide, Lisbon is the one showing her emotions in spite of her calm façade: contempt, anger and frustration towards injustice but also determination. And Cho shows his solidarity by acquiescing in escorting Volker to the exit. But this power play is changed when Jane decides to intervene by detaining Volker for the second time; it’s again an action of domination: he stays quietly on his couch, but loudly begins cold-reading their suspect, in front of everyone. He states that his gloating is just an act and that he’s afraid because they were closer than he expected. He then adds confidently that he should be afraid. Jane’s attitude is interesting: he’s witty, but not outright provocative or sarcastic even though the man obviously ticks him off. His veiled threats are always in defense of Lisbon: he doesn’t say “me” but “us”, in opposition to what he felt towards Erica, who he though was insulting his intelligence. Here, he is protective of his partner and her authority, but in a respectful manner, he doesn’t go all alpha-male. He leaves the responsibility of the case to Lisbon… Hence her grateful smile after Volker leaves.

As a conclusion, Jane seems to have indicated a more powerful emotional reaction to Lisbon’s situation than he usually lets on: he feels bereft when she lets him at the crime scene to see Volker; he understands her feelings when she’s working alone; he tries to help her by being supportive and protective of her, betraying the concern he stated in ‘Days of Wine and Roses’: she may be on a not “good road to go down. Bad neighborhood” indeed, but he decided not to let her travel alone and make that trip as short as he can…

Reviewbrain: Love this metaphor. I just want to add that perhaps Jane here is supporting Lisbon the way he wants her to support his quest; indeed the way she always has. With understanding and respect. Up to a point anyway…

VIS # 6: Brenda gives information to Volker

This scene was prepared both by the victim’s girlfriend’s snitching to Volker and by Lisbon and Brenda Shettrick’s altercation in ‘Cherry Picked’ where she ordered Lisbon to be easy on a witness because he had connections: we have been warned that the evil billionaire has got eyes and ears everywhere, CBI included, and that Brenda is a pragmatist. Here, it’s revealed she has stricken a deal with powerful and connected Volker. That means that she wasn’t pressured like Davis or threatened like the girlfriend: she has to get some advantage from selling the information on Marvin’s presence during the crime, either financially or otherwise, which makes her betrayal even more inexcusable.

Her double crossing the team may also raise a few nasty implications. First, a fall out may have to be expected when she’ll collect from Lisbon that favor the agent promised in exchange of information on Ardiles; there is a fair chance of Lisbon discovering the truth about Brenda and taking measures. Moreover, one can wonder if Shettrick has only one shady employer: couldn’t she be playing a triple game instead of simply being a double agent for one isolated criminal mastermind? In that case, is there a possibility that Volker is connected to RJ? Or was he working alone, and since everyone has heard of Lisbon’s implication, even at the poker game, has RJ seen an opportunity to take Teresa down in a circumvallated way? One way or another there will certainly be more to learn from Brenda’s betrayal…

From another perspective, it’s pretty interesting that the writers make a visible effort not to rule out any suspects who were implicated in ‘Strawberries and Cream’ as possible moles. Brenda is shown as a calculating and dishonest traitor, while Osvaldo has something to hide, since it’s implied either he’s done something or he let something pass in another case. In previous episodes, we were reminded that LaRoche has a dark secret worth being blackmailed with (‘Blood Feud’), and Bertram’s ambiguous attitude has been discreetly underlined by details such as his picture in the background when Jane shook mysterious Kirkland’s hand…. To some extent, the possibility that one of them was working for RJ at the same time than O’Laughlin makes sense: it would explain why the killer played with the rooms numbers and why Carter was sent in lieu of his master. It may have been a mind game all along if RJ was aware that Jane was setting a trap.

Reviewbrain: Speaking of Kirkland, I wonder what his reaction will be now that Lisbon arrested Volker. We were introduced to him in episode Red Dawn where it seemed that he asked FBI agent Alexa to ask Minelli to keep her appraised of the RJ case; for his behalf it was implied. Then, he shows up in Lisbon’s office telling her that she should leave Volker alone; that it’s being handled; presumably by Homeland Security where he works. I wonder if his words were true or was he, like Brenda, was protecting Volker.

VIS # 7: Volker’s demise

When Volker’s last enforcer bails out on him by refusing to hurt a kid, Volker is forced to take the matter in his own hands and tracks the boy down in a zoo. Lisbon and Jane rush to Marvin’s rescue and Lisbon warns Volker to put his gun down before shooting him in the shoulder. She doesn’t kill him, even though she could have done so without raising suspicions since he was threatening to kill Marvin who was running away, and anyway a shooting isn’t always well aimed (as reminded by Hightower shooting the perp in the leg while she was aiming for his head in ‘Red Gold’). But no, Saint Teresa professionally takes him down by inflicting minimum damage and, after handcuffing him, expresses her anger by punching the man. In spite of her emotional reaction, she doesn’t choose revenge or murder like Jane is prone to do. While he affirmed that he wanted to kill his own nemesis, effectively shooting Carter and choosing the same kind of closure for Rigsby, Lisbon just did her job, she arrested him and made saving the boy her priority. She’s way more mature about her own brand of justice.

Reviewbrain: This was actually very impressive and reassuring to me since I love her character and wouldn’t want her to change too much. Just for that, I need to send Mr. Woodruff a basket of flowers, so terrified was I for dear Teresa. I do wonder what Jane’s reaction will be to her decision; he’s always been derisive of her views…

Honorable Mentions: Tunney was great and she played her character with subtle nuances. Special mention to Henry Ian Cusick for giving life to a chilling but not so unattainable criminal, it was a delicate combination. And it’s a detail but I enjoyed the line writer Ken Woodruff put in Marvin’s mouth when Volker founded him as well as Emjay Anthony’s reading, “I’ve been told my mother is dead”: in a nutshell, we have the lie that convinced Marvin to stay with his kidnappers as well as the boy’s doubts about it and his defiance towards Volker who he seemed to recognize. This little thing is revealing of both the defects of the episode –a thrilling writing that tends swat some details under the carpet- as well as its qualities: a lot of subtext and intensity in a few words.

Reviewbrain: I also really appreciated the fact that the school kids were all wearing blue making it easier for Volker to find Marvin. Baker’s wonderful face was at it’s subtle best as well; he doesn’t have much to say as usual in this episode but his concerned expressions (to Lisbon) and lack of expression (to Volker) spoke loud and clear.

Pet Peeves

Violet’s

- The DNA sample. I don’t know, but shouldn’t she have a tech with her? Does she have a supply of those sticks in her car? And, more importantly, doesn’t it take a bit more than just sticking the stuff into his mouth for what, two seconds?

- I guess they had Marvin go to school under a false name, but that should have been explained.

- What happens afterwards to the woman who took care of the little boy?

Reviewbrain’s

Like Violet mentioned, this was a thriller of an episode so obviously much effort was spent to ensure a proper level of adrenaline is achieved. And while there is certainly no flaw where that’s concerned, I found myself asking (more) questions regarding other aspects…

-Why would Lisbon approach Judge Davies when only in the previous episode the woman refused to give her a warrant? Wouldn’t Lisbon have been more likely to go back to judge Manchester whom she had more luck and empathy with regarding Volker? Most likely it was done to show Lisbon’s character development via her willingness to lie to get Davies to sign the warrant. But her having had a plan B makes it feel like this growth was a bit forced, and I don’t think it needed to be. Couldn’t we have been told that Davies was the only current available judge?

- Volker’s Man, Clyde: Jane, when he and Lisbon interview Done Clyde, says that he doesn’t enjoy his work, rather he turned mercenary because he didn’t have any other options. When Jane then asks him where Marvin is Clyde responds, “If I talk, I’m a dead man.” But his only reason disappears Volker suspects him and says he’s dead. So why didn’t he go back to Lisbon to help her after that instead of committing suicide by bus? I suppose he could have just been walking in a daze of fear and gotten hit. But the scene wasn’t clear enough for me, a pity since Clyde was an interesting character.

The pacing of the episode (although thrilling) could have been distributed a lot better. I think this episode had the most rushed ending in the history of the show. As Jane’s car flew by taking the boy back to his home, I could just imagine someone from the show holding a stopwatch counting the seconds, hoping Jane’s final wistful look would make it on screen in time before the episode had to end. Precious seconds could have have been spared from the beginning of the episode-the opening scene was unnecessarily lengthy. The seconds spared there could have given viewers just a bit more time to catch their breath at the end, and enjoy Jane’s relief. His attachment to the the case was less obviously expressed than Lisbon’s, but his emotional involvement was just as important, especially where Marvin’s life was concerned.

Conclusion

Since the very beginning, with the flashback, we could guess that ‘Little Red Corvette’ is meant to be a pivotal episode. Indeed, the investigation starts with a decayed corpse hidden in an abandoned warehouse, like it did in ‘Red Rover, Red Rover’, which was characterized by Jane’s anger and vigilantism. That hints that the big underlying question in this episode is Lisbon’s own reaction in front of revenge and obsession. Hence the implicit reference to ‘Blinking Red Light’: in both cases; the main character has exhausted in vain every possible legal way…

Reviewbrain: Arguably! Excuse the interruption I just wanted to point out that Jane not believing Darcy was capable of catching Panzer (and that she didn’t take his concern seriously) was what led him to take Panzer’s fate in his own hands. Later events have proved her to be much smarter and more vigilant than Jane gave her credit for. But moving on…

Violet: It is clear that in Lisbon’s case anyway the authorities are recalcitrant to help them (Davis); the bad guy avoided every plan to catch him (Panzer turning tables on Jane/ Volker making every proof disappear with Geotech company). Also, to both men Jane insisted on each criminal’s hidden fears: for Panzer his doubts about being bested either by RJ or by Jane; for Volker his anxiety that Lisbon may be closing on him. And both show an interesting reference to cameras. Still, the outcome is very different in both episodes, since Lisbon’s desperate measures are limited to enlisting Jane’s help: she is above killing the man. That shows the difference between her perspective and Jane’s.

Nevertheless, part of her character’s development is Jane’s growing influence on her and the progress she made under his supervision, especially in regards of the law. They also seem to have mended part of the holes left in their relation by Lorelei. They have come to a mutual understanding, they offer support and take comfort in each other, they are partners: for a while, they didn’t have anymore a consultant/boss relation, or even a child/caretaker one, they are equals. There is progress, as before in the beginning of season four, their affection protected them from the world in a shinny cute bubble: here, they have forged a real working partnership, even though I’m not sure how long it would last. Therefore, this deeper understanding opens new doors: while she can understand better his motivations for catching RJ, she surpasses the darker parts of obsession with her sense of justice. She’s achieved what was dimmed as impossible and arrested her nemesis and that may give some hope for the ending of Jane’s quest…

Reviewbrain: Beautifully stated, Violet. I think, perhaps more than Lisbon, we found out more about Jane’s character in this arc.  In the previous episode, he gently asked her to be careful. He sees her becoming more and more obsessed. But he doesn’t judge her, nor call her out on her double standard and how she’s always asking him to be less obsessed. He seems to understand that, just as Lisbon might see it her duty to save him, she sees it as her duty to bring Volker to justice. In this episode, her win, seemed to have been his as well. He doesn’t want her to suffer through guilt the way he does. So this episode might count as another of Jane’s many attempts to “save” Lisbon. It just happened to be one of his most successful- along with the bomb vest in Strawberries and Cream, of course :)

And I do agree with Violet, it does give hope regarding Jane’s ultimate decision where Red John is concerned.

Violet: But that happy ending is bound to have some repercussions on Lisbon’s career: either she will gain a new credibility by closing such a big case, or, more probably, she will have to confront the fallout of her not so legal actions if Volker or his lawyers decide to call her on them.

Reviewbrain: And  because I already spotted a few spoilers floating about twitter, can I just please remind viewers to include a spoiler warning in the comments? Even trailers are considered spoilers to some; I personally try not to watch them as I love to be completely surprised by the episodes. But I have a feeling it’ll be just as eventful as this one was…

Image by Chizuruchibi. Copyright Reviewbrain, January, 2013. Not to be used without permission.

Image by Chizuruchibi. Copyright Reviewbrain, January, 2013. Not to be used without permission.

Extra:

Express love to the writers via twitter @mentalistwriter.

Speaking of twitter, today is mentalist fans’ : @windi_sparrow, @golightlyholly2, and @klcarr892 birthdays. Feel free to give them a shout out :)

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Mentalist Days of Wine and Roses Review


Synopsis

CBI consultant Patrick Jane (Simon Baker) works on solving the murder of Charlotte “Charlie” Coates (Michelle LaRue), a model who had been staying at a celebrity rehab facility. Meanwhile, Agent Teresa Lisbon (Tunney) convinces judge Patricia Davis (Amy Aquino) to reopen the case of Amanda Shaw’s (Rhea Bailey ) death which was previously ruled as suicide. Convinced that Amanda’s boss Tommy Volker (Henry Ian Cusick) had her killed to keep her from testifying against him in another case, Lisbon subpoena’s the powerful billionaire’s financial records to find out who he hired as his hit man; incurring the man’s wrath.

Concise Verdict

Rebecca Perry Cutter’s second submission to the show is just as enjoyable as her first and even more solid. Lots of good dialogue and delicate handling of Lisbon’s story arc (which could have easily become melodramatic in less capable hands). But another chapter in the saga of the show’s newest all-powerful and ruthless antagonist Tommy Volker is not all this episode has to offer. The case of the week is just as interesting and the writer deftly balances both the A and B plot as well as showing how differently our heroes work their respective cases: Jane’s unique abilities versus Lisbon’s old fashioned police work. The presence of several talented and familiar guest stars help keep the perpetrator a mystery and the interest high. Finally, Baker and Tunney were never better at portraying their character’s camaraderie; inarguably one of this shows greatest assets. Another is its humor which we got plenty of here via fun interactions and the actors’ perfect comedic timing. Flawless direction, continuity, and foreshadowing also serve to make this one a winner. 9/10

Detailed AKA Humongous Review (spoilers galore)

I think what I liked most about this episode is how we got to see efficient Lisbon in action. It’s been a while.  We also got to see Jane at his best with a classic Jane trick so old I’d almost forgotten (and hence didn’t mind) he’d used it before; using the victim’s scent, seeing how a group of people responded to it, to discover which of her fellow addicts was her lover.

Finally, I may be suffering some humor withdrawal from this show and am hence desperate for the slightest bit of amusement but I literally laughed out loud several times during this episode. Seriously, was practically rolling on the floor with laughter so you’ll see a lot of “ROFL’s” and “XD” in this review.

VIS #1: Lisbon gets permission to look into Volker

Lisbon visits judge Davies asking for a warrant for Volker’s personal and financial records. The judge tells her that she has already ruled on that.

-This tells us that Lisbon has already been working on the case but that her previous attempts to open it failed.

Lisbon then recaps for the judge that she has new evidence; that a second autopsy report on Volker’s secretary ruled out the death as suicide. Lisbon contends that Vokler had Amanda, his secretary, killed because she was going to testify that he had a reporter killed to keep her from writing a story about his company’s involvement in a massacre of a South American village (If It Bleeds, It Leads). When the judge expresses surprise that Bertram agreed to a second autopsy Lisbon admits that she paid for it herself.

-Love the mention of Bertram (as I’m sure others will) as well as the continuity of him being a pragmatist who likes to avoid headaches (which the Volker case undoubtedly is).

The Judge asks Lisbon why she’s so hell bend on catching Volker. Lisbon tells her that she failed Amanda since she’d promised to protect her and instead got her killed.

-Also love how the judge’s question helped set up Lisbon’s stirring (and helpfully expository) speech; she feels responsible for Amanda’s death.

Teresa then reiterates the legitimacy of the evidence. The judge reminds her of the man’s status as the governor’s supporter and good friend to which Lisbon replies “that’s why I came to you because I know that you won’t be threatened by a man’s status or connections.”

-I wonder if Lisbon was serious here or if she’s using a trick from Jane and being subtly manipulative of the judge. I’m inclined to think she was just being direct and straightforward, as she employs the same method later.

VIS #2: Jane, Lisbon, and Dr. Ruben

Jane and Lisbon’s interview with Dr. Ruben, director of Oasis Ranch Rehab Facility made for both a humorous and informative scene.

1. When Ruben (Dennis Boutsikaris)  tells Jane he has a degree in psychiatry, Jane replies “Excellent” since it’s nearly always the psychiatrist that’s guilty.

-Great reference to the pilot and one of my favorite perps Dr. Linus Wagner. But the best is yet to come…

2. Ruben replies to Jane “Had a bad experience with therapy, huh.”

First of all, the (supremely talented) Boutsikaris’s reading of this line was perfect; a matter-of-fact tone and a quick rise of his eyebrows. Then there was Baker’s reaction to it. I laughed so hard at his stunned face and how he slowly turned to look at Lisbon. It was the funniest moment of the episode.

3. The doctor also says: “In fact we have so many high profile patients we are far more worried about keeping paparazzi and reporters out.” Truly excellent writing; the line seamlessly sets up a later scene when the undercover reporter is revealed.

4. When Jane assumes that the victim was in a relationship, Ruben replies: “We liken early sobriety to a whack-a-mole game. You push down one addiction and another one pops up.” Again, this paves the way for another plot thread. In this case, it helps to later explain the perp’s motive. But it also subtly alludes to one of this show’s themes…(to be discussed in further detail later).

5. Ruben continues to say: “Newly sober people tend to act out…sexually.”

We finally have it in canon, people. Jane needs to get rid of his RJ obsession to get back into dating game :p

VIS #3: Lisbon versus Volker

After Lisbon subpoenas Volker’s financials Grace finds out he’s paid a Charles Milk $25,000 on an irregular basis. Realizing they found his hit man Lisbon tells Grace to file a warrant to search Milk’s house. Before she gets it though, Volker visits her office. He tells her that if she wanted his financials all she had to do was ask; as he runs his business on transparency before asking her if she found anything. Lisbon replies:

“Why? Is there something you’re worried about?”

-Teresa rocks. Her melodic almost sing song voice in the face of Volker’s thinly veiled intimidation and his increasingly closing in on her personal space was beautiful.

Volker then tells her that she looks good.

-Lisbon’s face is carefully expressionless but the change of topic (and Vokler’s sudden appraisal) must have confused her.

The man quickly reveals the point behind his statement when he adds: “You’ve been working out.” Lisbon then orders him to get out of her office. When he leaves, Lisbon lowers her guard and appears very agitated.

-Translation: the sicko’s either been watching her or has one of his henchmen spying on her. His telling her that she looks good and that she’s been working out is him threatening her that he’s got his eyes on her.

VIS #4 Jane is Worried about Lisbon

Jane tells Lisbon he has an idea and asks her if she wants to go with him to the rehab facility. Lisbon tells him she’s waiting for a warrant on Charles Milk, Volker’s accomplice. The two then have the following conversation:

Jane: Bravo.

Lisbon: There is no way this guy is as smart and careful and Volker. I can turn him.

Jane: Excellent police work, Lisbon. I admire your pluck.

Lisbon: I hear a but.

Jane: No ‘but’ I’m just a little worried that he’s inside your head and believe me that’s not a good road to go down. Bad neighborhood.

Lisbon: I think you can understand I don’t really have a choice.

Jane: Well yeah, I can certainly understand that I just…I want you to be careful.

-Pretty straightforward. Also, divine. Simply divine display of deference. I love their obvious respect and regard here.

Lisbon assures Jane that Volker is not in her head, to which he replies that he hopes not. Jane also tells her to let him know if she needs his help. Lisbon replies: “No thanks, this one is mine”. Jane seems a bit out of sorts when he responds “Yeah, you got this”.

-Jane is obviously worried about Lisbon (aw!) here. But he also seems flummoxed at being sidelined in her quest to bring Volker down. It’s ironic, especially considering how she’s been practically forcing him to work on cases with her and how he’s been telling her she needs to learn how to work without him. But it’s not long before she confides in him…

Jane is present when Grace tells Lisbon that judge Davies denied their request for a warrant. Later, Lisbon again declines joining Jane at the rehab center, apologizing and telling him she’ll catch up later, avoiding his gaze. Jane surmises that since it’s a Thursday night that Lisbon is going to her regular poker game to try to get one of the judges who attend to sign the warrant for Milk’s place. Lisbon replies “It’s worth a shot,” before admitting she doesn’t know what she’ll do if the plan doesn’t work.

-I love how Lisbon didn’t want to reveal her plan, almost like she was ashamed of her last resort. Then there’s how pouty she seemed; petulant Lisbon how I love thee. But I think the best part was Jane telling her that they’ll think of something. I know a few fans felt that he was less than supportive the last time she had a run –in with Volker (to be fair, he was just absent). Seeing them working in tandem here must therefore be reassuring. It certainly is beautiful.

VIS #5: Lisbon and Judge Manchester

Once again we get to see Lisbon in action. She straight out asks a judge for a warrant. Manchester’s already heard about her dilemma from Davies who cited her nerve. When Lisbon says that she was upset Manchester tells her that she doesn’t need to apologize to him. Lisbon retorts that she’s not and that judge Davies was wrong; that somebody has to bring in Volker, even if it’s not her. Manchester tells her: “Sometimes you are childishly naïve, Teresa.” Lisbon retorts that it’s better than defeated cynicism. His “ouch” reveals that she’d hit him where it hurts and follows up by imploring him to sign the warrant; that the only reason not to is fear.

-So we’ve finally gotten some continuity on Lisbon’s poker nights with the high-profiled officials Mancini introduced her to. I wonder if this new edge Lisbon has was the only point to that plot thread. Does that mean we won’t see Mancini again?

VIS #6: Johanna’s Confession

The victim’s therapist, Johanna (Amy Pietz) explains how her alcohol addiction (which she’d previously mentioned to Jane) was replaced with Blackjack.  She tells Rigsby that she paid her massive debts by borrowing money from “bad people” who were going to hurt her if she didn’t pay them back. Her patient Charlie confided that she’d stolen the necklace from her parents and wanted to give it back to them. But Johanna then stole it from Charlie and killed her in a neighborhood where drugs were scored, knowing people would think she’d gotten killed for her addiction. At Rigsby’s outrage of the bad legacy Johanna left for her patient, she says: “I’m powerless. It’s a disease.”

-Once again, we come across a perp who denies the accountability of their actions (Blood and Sand is the first my memory recalls). But unlike in Blood and Sand where the perp went so far as to live in a an island, on an all male ranch in an attempt to quell his predatory sexual urges, Johanna here is nowhere near as sympathetic. I wonder if there’s a reason for showing us the perpetrators in what seems to be an attempt at humanizing them (i.e. Lorelei). I had a few theories (mentalizing us for something godawful Jane would do) but am now at a loss on if all the instances are intentional or not. Where does one draw the line? Johanna here was a therapist. She could have gotten help from someone else. She could have told the police that her life was in danger instead of killing Charlie for the money her parent’s necklace would have provided. All I can say is I’m ever-more interested in hearing what RJ’s story would be…

Best Lines

“Saying it does not make it so.” Judge Davies to Lisbon. Glad someone’s finally stated that on this show. Although I don’t think anyone will try explaining that to Jane; lost cause.

“Lisbon you’re distracted and you have an eager gleam in our eye. Either you have a breakthrough in the Volker case, or you’re in love. Which is it?” Jane, I love you. Also, shut up. You’re torturing the shippers XD.

“I was hoping it was love. You deserve happiness but I’m glad for you anyway.” –Jane, to Lisbon after she tells him Davis signed the warrant. Yes she does, Jane. Also, all the shippers are now wondering if you’re making a tacit offer.

“She was shy. And sensitive. Like the volume was turned up too high in her head.” Victim’s mother, to Jane and Lisbon. Great description.

“Stella! Sweetheart, you look like an angry stick insect. Think of Brazil. Or whatever country you’re from.” Clarkson the photographer to a model.

“Uruguay!” – the indignant Stella in response to the above.

“Uruguay! Work it! Yeah you’re a dirty little Cossack!” ROFL!!! XD This dialogue was completely stereotypical, but hilariously so.

“Had a bad experience with therapy, huh.” Again, Jane’s expression at the doctor’s line here was so priceless.

“We liken early sobriety to a whack a mole game. You push down one addiction and another one pops up.” Solid gold writing right here.

 “I know I can’t make someone stop before they are ready.” – Johanna to Jane, on addiction. Don’t we (and Lisbon) know it. This almost felt like the writer’s were talking to us about our favorite Mentalist.

“I don’t need a chaperone.” Jane, to Lisbon. Her subsequent scoff followed by his escape was great.

“Hey Cho, you’re freaking out the guests. Just relax with the cop-ness.” Jane, to robo-cop Cho.

“I’m relaxed.” – Cho rocks.

“I was just kidding, he wasn’t actually sleeping with her- CHO! Cho!” Jane, trying (and failing) to break up a fight he started before calling Cho to the rescue.

“Jane as in Austen or Mansfield?” undercover journalist, to Jane on how his name is spelled.

“Austen.” Jane’s expression, almost insulted when he replies is interesting and amusing. The prim reaction certainly fits more with Austen.

“Mansfield. Please!” Jane’s indignation is expressed even more clearly when reveals Suzie’s real identity; scoffing at how she could doubt the spelling of his name to be that of Jayne Mansfield’s. Again, probably because he has more in common with Austen :p

“What self-respecting speed freak drinks herbal tea?” Jane, to Margaret, in response to how he found out she wasn’t a the addict she claims she is.

“So mysterious. Let me see, Thursday night you’re going to play poker. Ah get one of those mucks to sign to sign your warrant.” –Jane, reading Lisbon.

“You and your fancy diagnosis. People want stuff, they take it. It’s as simple as that.” Jane, to Dr. Ruben. Could this be the start of a beautiful relationship? God knows Jane could use a therapist.

“It’s not your fault. There is nothing to be ashamed of.” Johanna, to Jane on his (fake) kleptomania.

Best Scenes

This was so, so difficult to choose. The entire episode was fabulous but here are my favorites:

Second Runner up: Cho and Rigsby arrest the photographer Clarkson.

I loved the wonderfully stereotypical discussion between the photographer Clarkson (Hal Ozsan) and his model Stella (see above quotes). Then there’s how he later immediately tells Cho and Rigsby “It’s hers!” about the drugs he was carrying even before they were found; which Rigsby points out to him before he finds them. Cho’s subsequent “You’re under arrest” was awesome.

First Runner Up: Jane admits to being a kleptomaniac

This scene was hilarious. Jane getting caught in the act of stealing leads to Johanna and Dr. Ruben sitting down with him and trying to get into his head. Ruben asks how it started and Jane tells him his father taught him how to pick pockets. Ruben then tells him that “subconsciously” he’s still trying to please his father. Jane feigns an epiphany, agrees, then asks Ruben “how do you do that, that is uncanny”. A sympathetic Lisbon then goes “Jane…” before she is interrupted by a phone call. She hangs up and tells Jane that they just found a ruby necklace in his car and asks if he wants to explain that. A shamefaced Jane replies “Not really.” Ruben then tells Jane that he should definitely continue therapy and gives him two thumbs up. Jane thanks him and says “I feel better already,” closing his hands into fists.

-ROFL! Now we’ve seen Jane fake epiphanies before but this time is nevertheless priceless.  Simply brilliant! Flawless acting by all involved. I don’t know how they kept a straight face through it all; I would have died laughing XD.

The Winner: Jane tells Lisbon to be careful.Cause sweet, caring Jane is a balm to my soul. Also, see VIS #4 above.

Image by Chizurubi-chibi. Copyright Reviewbrain January, 2013. Not to be used without permission.

Image by Chizurubi-chibi. Copyright Reviewbrain January, 2013. Not to be used without permission.

Icings on the Cake

 Detective Jane: Really loved seeing how Jane’s mind worked to solve the case this time. His miss’s were just as revealing as his hits. First noticing the expensive single malt whisky; which made him realize the victim’s wallet was stolen. Wrongly assuming Joanna smoked, which led him to conclude she spent time in a smoky room (casino). Wrongly assuming the herbal tea belonged to Charlie the model, when her roommate corrected him that it was hers, helping his conclusion that she’s an undercover reporter. Then there was him discussing the case with Lisbon, telling her that the real motive for the crime was the ruby necklace. I’m going to have to re-watch a few episodes to be sure (readers feel free to correct me) but it seems like it’s been so long (like since season one and two) that we’ve actually seen Jane discuss the case on-screen with Lisbon. It is always nice to be privy to these break-downs rather than imagine what they looked like.

Bashful Jane avoids the grateful parents. Love this continuity.

Honorable Mentions

Kudos to Rebecca Perry Cutter on a very well written episode.

Eric Laneuville’s direction is as wonderful as always. Especially the scene with Lisbon and Volker in her office. Just the right notes of creepy.

The acting was truly was superior from all involved:

Hal Ozsan’s was comedy gold. Dennis Boutsikaris was as well but in a more restrained understated manner, as required by his character.

Amy Pietz (whom I’ve been a fan of ever since she told Brass in CSI “I don’t like you”) was honestly the least person I suspected of being the perp. Her performance was so cleverly unobtrusive.

Mary Lynn Rajskub was as effective as her fans know her to be.

Henry Ian Cusick is very convincing as the intimidating Tommy Volker A good thing too or viewers may not have been able to take the character seriously as an antagonist.

Kang and Yeoman’s scenes keep getting better and better. “Chigsby” will always be a fan-favorite pairing.

Finally, Baker and Tunney were both pure joy to watch. You can just tell that they had fun acting in this episode.

Conclusion

Lisbon tells Jane she finally got the warrant to search Milk’s home. He congratulates her once more on having police work prevail. Her joy is short-lived, however. On route to the man’s home she gets a call from a smug Volker, telling her that she won’t find anything. Lisbon then gets a call from Grace who states that they’re too late. Lisbon arrives at a crime scene to find Milk shot along with a married couple. An officer tells her that it seems like a random gang hit. But Lisbon knows better. Jane joins her with a concerned “Lisbon?” the agent then tells him that she needs his help.

-I wonder what type of “help” Lisbon is looking for from Jane. Hopefully it’s just (legal?) mentalism to catch the billionaire. But I wouldn’t count on it. More than anything else, the purpose of this episode seemed to be tacitly setting up Volker as a super evil genius too smart to be caught. Sigh. At least the writers did their homework by having Lisbon (seemingly) exhaust all legal options. I hope this continues to be the case. Just because Milk is dead doesn’t mean CBI can’t use the warrant they got to search his house. They might find something useful there. Although, the title of this episode isn’t very encouraging. It’s a reference to Lemmon’s film with an identical name. I haven’t seen this particular movie but here’s its synopsis from IMDB:

An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his “passion” together.

There goes my ulcer ;_;

I’ve been saying it since season three. Jane wants Lisbon to come around to his views the better to be able to relate/get along with him. But how far is he willing to have her go? My one glimmer of hope is his concern about Lisbon in this episode when he told her: I’m just a little worried that he’s inside your head and believe me that’s not a good road to go down. Bad neighborhood.

Could Jane, who all this time seemed to be wanting Lisbon to be more like him, actually save her from that very fate?

My Cynic is laughing at me. I’ll be banging my head against my laptop hoping for the best and intermittently praying that Lisbon’s character doesn’t get ruined for me. That is, when I’m not hanging over the toilet.

Note: In case you haven’t figured it out yet, I’m prone to hyperbole. Next episode’s Little Red Corvette trailer looks pretty awesome. Can’t wait for next Sunday to (hopefully) put me out of my misery. Also, congratulations to Amanda Righetti on her new baby boy!!

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Cultural References in The Mentalist – a work in progress by Violet


Image by Chizuruchibi. Copyright Reviewbrain Dec. 2012. Not to be used without permission.

Image by Chizuruchibi. Copyright Reviewbrain Dec. 2012. Not to be used without permission.

This post is brought to you by the infinitely literate Violet, who was kind enough to share this monumental work of the cultural references in our favorite show, The Mentalist. Please enjoy her gift to us and have a wonderful holiday everyone!

-Reviewbrain

I Conception of the main character: (S1-2)

1)      Sherlock Holmes.The prototypical detective is the most obvious source of inspiration for Jane’s character: every following quote is taken from the very first pages of A Study in Scarlett, where Holmes was first introduced.

 Personality:

  •  Alternating activity/laziness: “I’m the most incurable lazy devil that ever stood in shoe leather – that is, when the fit is on me, for I can be spry enough at times.”
  •  Enthusiasm: “At the sound of our steps, he glanced around and sprang to his feet with a cry of pleasure. “I’ve found it! I’ve found it”, he shouted to my companion […] Had he discovered a gold mine, greater delight could not have shone upon his features.”  Cf. Jane’s “aha!”.
  •  He likes to impress: ““Wonderful!” I ejaculated. -“Commonplace” said Holmes, though I thought from his expression that he was pleased at my evident surprise and admiration”…
  •  … to the point to pass for vain: “This fellow may be very clever”, I said to myself, “but he is certainly very conceited”(Watson, upon first reading Holmes’s views).
  •  He seeks fame: “I know well that I have it in me to make my name famous.” Cf. psychic Jane on a TV show…

Socially difficult:

  • Towards his fellow detectives (Lestrade and Gregson): cutting analytical judgement, fun at their expense, since he enjoys their rivalry. “They are both quick and energetic, but conventional –shockingly so. They have their knives into one another too. They are as jealous as a pair of professional beauties. There will be some fun over this case if they are both put upon the scent”. Same sense of acute and funny comparison as Jane. Irony and mockery: “I may have a laugh at them, if I have nothing else.” He also relies on his confidant’s connivance to catch the joke.
  •  He doesn’t seek women’ company, although it’s more because he’s simply not interested, while Jane’s a widower.
  •  He’s cold and people are a little afraid of him as they are not sure what he’s able to do: “Holmes is a little too scientific for my tastes – it approaches to cold-bloodedness. I could imagine his giving a friend a little pinch of the latest vegetable alkaloid, but simply out of a spirit of inquiry in order to have an accurate idea of the effects.” That assumption is far-stretched for Holmes: he wouldn’t risk any friend’s life on a whim, but it’s revealing of how people who superficially know him may be wary of him. Now, replace the “scientific” by “manipulative” and the bit about alkaloids by a cunning plan, and the quote works for Jane too…

Similarities in their methods:

  • At the crime scene: “As he spoke, his nimble fingers were flying here, there, and everywhere, feeling, unbuttoning, examining, while his eyes wore the same faraway expression which I have already remarked upon. So swiftly was the examination made, that one would hardly have guessed the minuteness with which it was conducted. Finally, he sniffed the dead man’s lips, and then glanced at the soles of his patent leather boots.” Jane doesn’t really touch the body, since it would be a glaring mistake nowadays with the progress in forensic, but he does everything else: attention to detail, sniffing, glancing at the soles, you name it, you have it.
  • No respect for the dead: beating the corpses in dissecting-rooms.
  • Odd mix between knowledge and ignorance: “Neither did he appear to have pursued any course of reading which might fit him for a degree in science or any other recognized portal which would give him an entrance into the learned world. Yet his zeal for certain studies was remarkable, and within eccentric limits his knowledge was so extraordinarily ample and minute that his observations have fairly astounded me.” Actually, the similarity is played with: Jane’s ignorance touches science and forensic, the very subjects that Holmes is well learnt upon…
  • The memory palace: “”I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend at any extent. Depend upon it there comes a time when for any addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”” Various things are partially used for this quote: the notion to compile and order memories, the selection of uninteresting knowledge (that Bertram is Hightower’s boss, for example). This well-known speech is played with: Jane’s “attic” is his thinking room, with “nothing but the tools which may help him in doing his work” of hunting Red John.
  •  Although he is quite action-oriented, he still lets Watson carry the gun: “”Have you any arms?” […] When I returned with the pistol, the table had been cleared, and Holmes was engaged in his favourite occupation of scraping upon his violin.”
  • The archenemy: Moriarty is a respected secret criminal mastermind, who stays hidden behind his web of minions. There is a variation with RJ, since Jane becomes a detective/consultant because of his nemesis, while Holmes’ usual activities helped him guess Moriarty’s double life.

2) Detective stories and popular classical culture

There are various hints that Jane is well-read in old-school detective stories. In passing mentions develop aspects of the persona Jane has elaborated to hide his true self:

  • The classy characteristic car reminds of Ellery Queen and his Duesenberg.
  • His elegant (if slightly rumpled) suits remind of classical aristocratic detectives (Holmes, Ellery Queen, Van Dine’s Philo Vance, Christie’s Hercule Poirot and so on).

In other words, he’s playing the role of the detective and he’s aware of it. Those allusions also hint at Jane’s love of fun and his tendency to consider his day-to-day job as a big game solely for his amusement, hence the different clichés he revels in:

  • He explains how to open a hermetically closed room in S1 ‘Red John’s Friends’ (the trick has been explained in numerous stories for example in a Philo Vance novel, The Bishop Murder Case).
  • “The butler did it!”
  • The detective in an armchair: in novels featuring Nero Wolfe, there is a duality between a clever subordinate who does the leg work and the master who does the ultimate brain work. There are hints of this with Jane on his couch: he sometimes let the team collect information when it doesn’t seem fun enough and analyses it and comes up with a theory while lying on his brown couch.
  • To some extent, the treasure hunt in a mansion in S2 ‘Red Scare’ might be a classical element too (cf. Holmes’ “The Adventure of the Mustgrave Ritual”  and Poirot’s short story “The Case of the Missing Will” for example)

More broadly, Jane’s childish vision is completed by reference to a past era connected with mystery and gangsters adventures (more or less the Prohibition era):

  • The hard-boiled detective stories (the fedora)
  • “Stop the press!”

II Conception of his nemesis: Red John and William Blake (S2-3-4)

Red John’s depth comes from the fact that is more than just Jane’s Moriarty: he’s been given a personal universe of his own, characterized by references to Blake’s poems.

Two quotes are used directly in the show. First, ‘Tiger, tiger” said by RJ and repeated by Todd Johnson in ‘Red Moon’, which lead to think the quote is used as some sort of a code among RJ’s disciples and that the philosophy he teaches  to them to convert them may be based to some extent on Blake’s poetry.

Tiger, tiger, burning bright    

In the forests of the night,                   

What immortal hand or eye                 

Could frame thy fearful symmetry?   

 

In what distant deeps or skies

Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand dare seize the fire?

 

And what shoulder and what art

Could twist the sinews of thy heart?

And, when thy heart began to beat,

What dread hand and what dread feet?

 

What the hammer? What the chain?

In what furnace was thy brain?

What the anvil? What dread grasp

Dare its deadly terrors clasp?

 

When the stars threw down their spears,

And water’d heaven with their tears,

Did He smile His work to see?

Did He who made the lamb make thee?              

 

Tiger, tiger, burning bright

In the forests of the night,

What immortal hand or eye

Dare frame thy fearful symmetry?

 

In this poem, we have: the color of the fire (“burning, “burnt, “fire”, “furnace”), that is red, laced this the “night” in a “fearful symmetry”. As Cho analyzed in ‘Strawberries and Cream’, the poem enlightens that both the tiger (evil) and the lamb (innocence) have been created by God as part of the world equilibrium. Said equilibrium is also used and twisted by RJ in his speech in the limo in ‘The Crimson Hat’: both sides are equivalent and, therefore, there is no good or bad, meaning evil actions or good ones are similarly justifiable. What’s more, as RJ is part of this symmetry as the evil killer as well as the one who defines it by creating an enemy in Jane, he might be at the same time the “tiger” and a sort of “god” his followers may believe in, if we were to link this with Gupta’s “deeply religious” beliefs (‘Strawberries and Cream’).

The “night” is also mentioned by Bertram: “When thy little heart doth wake,/ Then the dreadful night shall break ” (from A Cradle Song).  We don’t know yet if Bertram is connected with RJ, but it’s plausible that the quote is relevant anyway in a “meta-meaning” concerning RJ’s beliefs.

Indeed, the night seems to have a particular meaning both in Blake’s universe and in RJ’s: the night associated with the fire symbolize the tiger and the symmetry it represents. It also seems to be RJ’s favorite moment to strike (Panzer’s and Jane’s family’s murders).

Moreover, since the show seems to revel in classical mystery stories, another poem by Blake

has been quoted by Agatha Christie (in Endless Night) and apparently fits to some extent with

what we know of RJ’s philosophical view:

Under every grief and pine,

Runs a joy with silken twine […]

 

Every night and every morn

Some to misery are born,

Every morn and every night

Some are born to sweet delight.

 

Some are born to sweet delight,

Some are born to endless night.

 

We are led to believe a lie

When we see not thro’ the eye,

Which was born in a night to perish in a night,

When the soul slept in beams of light.

 

God appears, and God is light,

To those poor souls who dwell in night;

But does a human form display

To those who dwell in realms of day.”

(from the end of Auguries of Innocence).

Those words seem to fit with RJ’s supposed spiritual goals: to make people better by making them suffer (“Under every grief and pine/ Runs a joy with silken twine”), through a revelation of the inner balance of the world. He detaches them from a false sense of morality, opening a path towards that illumination. He dispenses a superior knowledge as well as a new take on life, through purification by sufferance; hence, RJ presents himself as a mean to divine knowledge, or better yet as a prophet: there is no good or bad, hence no punishment or reward in a so-called after-life (cf. the speech in ‘The Crimson Hat’). His followers are freed from any consequences of their actions.

Last, if we were to believe Rebecca’s statement that RJ wanted to redeem Jane by punishing him, then we can also connect his behavior with this quote from the “Annotations to Lavater”: “forgiveness of enemies can only come upon their repentance.”

III The narration: Jane’s fate

A number of cultural –mostly literary- references have made their way in the show. In the first seasons, said references have been used to develop some particular aspect of Jane’s personality (in the same fashion as Holmes has shaped some parts of it), and/or to give some depth to a situation.

Season 1: Jane’s obsession with revenge and killing his nemesis: Moby Dick (‘Flame Red’) Parallel with the case at hand hinting that revenge only ends up in blind cruelty, deceit, and is hurtful for innocent people.

Season 2:

  • ‘The Scarlet Letter’ references the book by Nathaniel Hawthorne: the case deals with adultery and, like in the novel, the secret identity of the mysterious lover’s plays a great part. Both also deal with guilt: like Hawthorne’s protagonist, Jane’s behavior has caused him to lose his old life and, like her lover, he lives in self punishment. (Amusingly, the novel has inspired Ellery Queen’s The Scarlett Letters…)
  • Director Bertram’s name might also be a reference to Christie’s At the Bertram’s Hotel, which might then refer to a façade used to hide a criminal network, like RJ’s started to reveal itself after Bosco’s murder.

Season 3:

  • ‘The Red Mile’/ The Green Mile. Dr Steiner is in his own personal death row and chooses to die, whereas Jane is implicitly left wondering about his own fate.
  • Minor reference: ‘Rhapsody in Red’/ Gershwin’s Rhapsody in Blue, mixing jazz and classic, Jane’s usual tastes in music.

Season 4: While the first seasons only used references to enlighten Jane’s character and motivations, season 4 uses them to give some perspective over his fate. Two recurrent references provide two major angles, as two sides of the same coin.

  • First madness and despair is developed under Shakespeare’s influence. A recurring theme in the season (‘Fugue in Red’, ‘Cheap Burgundy’, ‘Something Rotten in Redmund’): essentially ‘Hamlet’ and ‘Macbeth’. There is a similarity of tone with the show and Jane himself (seriousness mixed with lightness, tragedy with foolish things). Like Lady Macbeth, Jane is also obsessed with guilt and his sanity might be at risk; like Hamlet, he hides behind the mask of a fool and seek ruthlessly revenge over a dead relative’s assassination, hurting in he process the people around them (and both cause quite a lot of collateral damage). More, both plays end in loneliness, madness and death and that’s what Jane himself risks.
  • Then a path towards hope is shown: The Wizard of Oz, first referenced in Season 2, but blossoming in ‘Ruby Slippers’. The differences between those two allusions show that Jane has progressed personally (See ‘Ruby Slippers’ review for more details).
  • Some songs show Jane’s set of mind and situation (Hotel California show that he’s trapped in his revenge and RJ’s games; Dust in the Wind alludes to the futility of his six months scheme and to the dust surrounding him and Lisbon when they’re holding hands and he can fully realize its pointlessness).

Season 5 (so far):

  • Alice in Wonderland: ‘Devil’s Cherry’ uses the two themes introduced by Shakespeare and The Wizard of Oz: madness and a journey in an extraordinary land.
  • « La donna è mobile » From ‘Cherry Picked’ is from Verdi’s Rigoletto is an allusion to Lorelei.
  • Agent Nemo in ‘If It Bleeds It Leads’ references Ulysses and Jules Verne’s Captain Nemo. Both characters are connected with travels over the sea…

- ‘Red Sails in the Sunset’, whose title is inspired by a song where a fisher girl waits for her lover to return. Various interpretations are possible: one of them it that the fisher girl may be the siren Lorelei Martins who thought her master RJ was helping her get out of jail. Anyway, the original song ends with these words:

Above no bright stars are glowing/ It means the storm’s coming soon.”

- Also in ‘Red Sails in the Sunset’ : Jane’s flight with Lorelei is compared with Hitchcock’s movie North By Northwest. Various interpretations in here too: they are hunted down by the police (Lisbon and Kirkland), based on a misunderstanding; the show plays with the notion, since innocent Thornhill was mistaken for someone else, while the CBI is convinced that Jane has been kidnapped and thus hasn’t orchestrated everything. Moreover, Lorelei’s attitude towards him is ambivalent (somewhat like Eve Kandall in the movie): meaning that Lorelei may become an ally too. Besides, in the scene Jane and Styles are watching at the very beginning the movie plot reaches a pivotal moment (Thornhill and Eve fake his death, before he decides to enter the bad guy’s dent); that hints that Jane may be about to turn the table on RJ.

 

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Mentalist Panama Red


Synopsis

The California Bureau of Investigations new case is the murder of Jeremy Reese, a botanist, in Clearlake. Suspicion first falls on his boss, whom CBI consultant Patrick Jane (Baker) and Senior Agent Teresa Lisbon (Tunney) learn he’d had an argument with. But the case is complicated by the fact that Reese was working two jobs: one at an organic marijuana farm owned by Matthew Gold (Troy Ruptash), and another coming up with a new strain of marijuana at a high tech lab. Meanwhile, Cho’s first time helping out Agent Tamsin Wade (Monique Gabriela Curnen) in the newly established Rapid Response Team at CBI has him running into an old flame.

Concise Verdict

Panama Red is one of my new favorite episodes this season. The case was interesting and had lots of good old fashioned Mentalist humor. The guest stars are great, including not one, but *three* recurring characters. The direction is perfection and there is plenty of continuity. The music is sublime at times, playfully flirty at others.  And the performances…well, let’s just say the actors gave us a subtext party in this one. And it is all thanks to the script. Like Grossenbacher before him (who sadly has criminally only given one entry to this show so far) Michael Weiss’s foray into the Mentalist world was such that, by the time it was over, I was literally breathless with happiness. Welcome, Mr. Weiss. You’ve officially been brained. Which hopefully isn’t as painful as it sounds. At least, not this time: 9.5/10.

Detailed AKA Humungous Review (spoilers galore)

Some pretty heavy flailing is about to commence. You’ve been warned.

Jane SMILES!

LISBON IS BADASS!

Both Cho AND Rigsby get a prominent role in this episode!

It’s back. My favorite show is back!!!

;_;

This has been a stellar season thus far, but also, an increasingly dark one. Just to be clear, I love the RJ plot as much as any other fan (or at least, I used to) but I completely and humbly disagree that the show should end with him getting caught (as seems to be where the show is headed). Episodes like this flaunt one of the show’s greatest assets: it’s freaking fun! Sure, it’s nice to have a run in with the Big Red every once in a while but Jane’s obsession doesn’t exactly make for easy viewing. And The Mentalist has always been a humorous show despite its dark premise. I’ve really missed it. Too much Red made me blue and I actually felt my heart break a little one episode at a time. Even Lisbon’s new plot with Vokler, while exciting, is depressing. An all powerful billionaire who wiped out an entire village and mercilessly watched as the only lead against him was choked to death? Ugh. Not even Black Cherry written by the comic genius Erica Green Swafford could bring me out of my funk. But getting two subsequent stand alone episodes seems to have done the trick. That, and the fact that Lisbon’s character remains successful not only in getting Jane more involved in the cases, but in regaining some of her long abandoned authority.

Teaser

Take the beginning of this episode. Jane doesn’t show up for work. And when Lisbon calls him telling him he shouldn’t obsess like this, Jane tells her “I know I met Red John now, shook his hand.”

-Now I know the moment was graciously included to recap for viewers who may have missed an episode and subsequently where Jane’s at with his hunt for his family’s killer. But for us regulars, I found myself taking a page out of Charlotte’s book and thinking “I’m so over Red John”. Seriously, it’s more than I can handle not going back and re-watching all the episodes from the beginning to see which characters Jane shook hands with without being constantly tortured with this new clue. Thank god for the fact that the act didn’t necessarily have to have happened on screen, or us viewers would all probably become as obsessed as Jane is.

Lisbon tells Jane that they have a new case. And when he tries to distract her saying that she’s the one obsessing, she says she’ll text him the address and hangs up.

-Lisbon, acting like Jane’s boss, which she is, might be the best way to help him. If not for his sake, then for hers. It’s not like the Serious Crimes Unit can focus only on one case. And getting Jane out of his black perch can only be healthy.

Jane and the Victim Jeremy

We get to see the victim Jeremy through the eyes of his college professor Alice Burns (Susan Gibney) and very quickly a parallel is drawn between the two, the least of which being that both their names (that people called them with anyway) start with a J. Some were obviously intentional, others not so much, but I included all for fun.

First, Alice tells Jane and Lisbon that while Jeremy worked in a pot farm, he didn’t smoke. It was simply an exciting research opportunity and a “good use for his skills”.

-This is kind of like Jane, who doesn’t always (if ever) believe in the law, but working at the CBI is a good way to apply his own talents.

We then learn that Jeremy had an argument with his boss but that he didn’t tell Alice what it was about, which she explains by saying “Jeremy could be secretive.”

-Baker is in top form here and makes interesting choices with his character which we’re able to witness due to director Guy Ferland’s generous direction. You see Jane’s eyes dart to Lisbon whom we are shown in the next shot. I guess it could be possible that Jane couldn’t help staring at Lisbon’s beautiful profile, but it’s more likely that Jane wanted to see her reaction at Alice’s words since secretive is (used to be?) such a perfect description of his own personality. But there’s nothing to see there. Lisbon doesn’t react to the statement.

When Lisbon asks if Jeremy had any enemies Alice says no adding “He was kind and generous to a fault.”

-Again, these words are perfect descriptions of Jane as well, although sadly it’s been a while since we’ve been treated to those traits; they’ve either been too fleeting or he’s been too busy chasing RJ.

Alice then explains her relationship with Jeremy to Jane saying that they were “pretend family” since his mother died a few years ago and her son lives in Texas.

-Here, the comparison goes further to encompass Jane’s relationships as well: His family is dead while Lisbon’s lives in another state. It’s been established since season three that she considers him family and the theme was also alluded to several times this season.

Rigsby the Green-Eyed Monster

Looks like we have a new love triangle on the show to replace the Grace-Craig -Rigsby one. And once again, poor Rigsby is the victim.

When Agent Tamsin Wade (Monique Gabriela Curnen) comes into the Serious Crimes to tell Cho (newest member of her Rapid Response team) that they’re up to bust a counterfeiting operation, Rigsby chimes in to tell her that they have work to do. The woman snarks “I’ll have him back in a few hours, dad” to which Rigsby responds: ”If you’re the rapid response team, shouldn’t you be sliding down fire poles not hanging around here for thirty minutes?”

Snap!

Someone doesn’t like Wade very much. The question is why?

It could be her general playful demeanor, which by some might be taken as haughty. When she walks in she calls them “Ladies”. But we know that it was a joke and Cho didn’t seem upset, so why should Rigsby be?

I think that, as close as the CBI team is, Rigsby resents the fact that Tamsin insinuated herself so easily within them. Especially considering how reserved Cho usually is. Or it could be Rigsby fears she’s angling to have Cho join her team. Or maybe he’s just jealous she didn’t ask him to join the team. Whatever it is, as much as I thought I might like Wade in the previous episode, I don’t blame Rigsby for not being more open to her. Yes, she seems very cool. But she seems to be very aware of the fact too.  Then there’s something about the way she tells Cho “I squared it with your cute boss.”

I’m all for mentioning how adorable Lisbon is. Heck, Jane, too. It’s just not realistic to not have more people point out how attractive they are (although, writers are getting better at pointing this out i.e. If it Bleeds, it Leads). But something about the way Tamsin said that line didn’t sit right with me. I wasn’t sure what until a later scene helped me out…

Cho, Summer and Tamsin Wade

During the bust, Cho runs into his former confidential informant (and secret lover) Summer Edgecombe. Pregnant, and in town for her wedding, she tells Cho she had nothing to do with the operation; was just going on a ride with her friend.

As much as I liked Summer I always questioned if she and Cho were really good together. It’s hard to know what to make of her at times. Like in this episode. I honestly couldn’t tell if she was lying or not when she told Cho that she had no idea what her counterfeiting friend Chuck (James Jordan) was up to when he asked her to come along with him. I mean, seriously? Then there’s the fact that Summer seemed oblivious to Cho’s ambivalence (pain?) at seeing her pregnant and engaged.  Rigsby’s words to Cho, that he dodged a bullet when he let her get away, represent what some viewers might think. Tougher viewers might even agree with Tamsin’s decision to charge Summer, despite Cho insisting that she should let her go and that she’s innocent; not the accomplice of the counterfeiters.

I have to disagree at least with the last. Even if by that point I wasn’t sure that I completely bought Summer’s story (she’s lied before), I felt Wade was being unnecessarily hard on her. Simply put, there was no evidence against Summer. She was standing outside a garage where a crime was being committed? So what?

Wade telling Cho she heard Summer was a lot more than just his CI made my earlier reservation with her comment kick in again. Could it be that Tamsin was jealous? That she arrested Summer to flex her muscles against Cho’s former CI and see what his reaction would be?

Maybe. She’s obviously into Cho for reasons beyond needing him in her new unit. If that’s true then maybe her mentioning Cho’s boss was cute earlier was also meant as a test. She wants to see how available he is.

Cho knows Summer enough to fight for her freedom. When Wade refuses to listen to him, Cho takes matters into his own hands. He finds Chuck, the perpetrator who escaped the bust, and gets him to make a deal with, of all people, ADA Osvaldo Ardiles (David Norona).

Regular viewers will remember the charismatic Osvaldo and Cho’s last run in didn’t go too well. But it seems like the air got cleared completely since then. Chuck agrees to testify for Osvaldo in exchange for immunity and Summer’s freedom.

This doesn’t go over well with the over zealous Agent Wade. She admonishes Cho for going behind her back and when he apologizes and says it won’t happen again, she replies “You got that right”.

I wonder if her statement was referring to Cho’s role in her team (was she dis-inviting his services?), or if it was her way of throwing water on any sparks that might be between them, or both.  At her displeasure, you can’t help but wonder if Cho thinks he did the right thing; if Summer had been worth it.

Thankfully, he doesn’t wonder for long. While the former call-girl had been known to lie in the past, she wasn’t in this episode. Summer drives up in her wedding limousine with her fiance to introduce him to Cho, thank him, and say good bye.

It’s a very, very sweet scene that I think explains a lot of Summer’s character. The way she was able to quickly move on from Cho (So Long and Thanks for all the Red Snapper was only 12 episodes ago, and she’s eight months pregnant) isn’t so much due to lack of feeling as much as it is due to her innocent nature. I’m glad we got to meet her husband (to be) as it shows us what kind of man she needed: stable, patient, grounded. Cho’s own hidden well of passionate emotion (displayed in the altercation which led to their separation) shows that he’s perhaps not as well equipped to handle her. But her husband, whom Summer won’t kiss Cho on account that he gets “crazy-jealous” (hyperbole I believe/hope), seems to have been able to temper her somewhat, in a good way. Seeing her so happy, seeing Cho smile, obviously happy for her, just melted my old cynical heart.

Sigh. What an awesome episode.

But we get one last treat before it ended.

Lisbon Rebels

Lisbon, about to leave her office, is looking for her keys when Jane shows up and tells her they’re on her desk. Lisbon spots the puzzle box which the victim had made and only Jane knows how to open. The man gives her a barely contained grin, obviously looking forward to Lisbon’s inability to open the box and him sweeping in and “rescuing” her by opening the box for her. To Jane’s dismay, Lisbon takes a hammer from inside her desk and smashes the box open. Jane is shocked and disturbed. “You keep a hammer in your desk?!”

Lisbon then utters the best line of the entire episode:

“You only think you know everything about me.”

Seriously, how beautiful was that? You go, girl. And Jane’s reaction was awesome.

Best Scenes

This was so hard to decide this time around. The entire episode was crazy enjoyable, start to finish, but these were my favorites; please share yours in the comments.

The winner: Lisbon and Jane question Alice Burns

I chose this one because of its beautifully moving music, the riveting acting of guest star Susan Gibney (she almost made me cry when she stops to collect herself in one scene) and the reactions to her that Jane was allowed to have. One example is when Jane surmises that Alice is ill and asks her “What are you sick with?”

Simon Baker killed me with his tone here. Remember the Jane that used to care about things besides Red John? He still exists. His gentle, soft, CARING questioning (like in the pilot with Juniper) is what makes him a fantastic mentalist, and (in my humble opinion) an especially likable and special character. Cause otherwise, he’s just House. Who is a total jerk. And while Jane can be an even bigger jerk, it is not the only aspect of his personality.

It could be that Jane’s demeanor with Alice here is due to the fact that she didn’t make the mistake of pushing his buttons. Or that he was behaving himself in an attempt to get back on Lisbon’s good side. Or that Alice was already cooperating so he didn’t need to rile her up. Regardless of the reason, we desperately need more of ‘kind’ Jane as opposed to Jane the jerk. It is just not realistic for all the people Jane questions to be idiots or sleazes who deserve (in his opinion anyway) to be played. It really is okay if some, like Alice here, actually bring out the best side of him. More than okay. It’s gold.

Speaking of gold, I just want to add how much I appreciated the scene ending on Jane’s face as he strokes the trick box. Baker’s face is wonderfully expressive; you can just see him thinking about all the methods he’ll enjoy using trying to open it. Sensitive, inquisitive, amused…I love this Jane. I miss this Jane, dammit.

First Runner Up: Cho and Summer say goodbye…again. 

Again, this was such a sweet, hopeful, scene that I couldn’t help but love it. Summer looks absolutely adorable in her little white wedding dress. And Cho looks very happy for her. His dimple actually shows as he smiles at her and tells her goodbye and good luck. Then, as the couple is driven off, his smile falls, you can’t help but wonder if he doesn’t feels a tiny bit of regret too. The lovely music is wonderfully appropriate to the emotions: simultaneously uplifting and bittersweet.

Second Runner Up: Rigsby Gets High

First of all I loved the continuity of Rigsby being a great sport and going undercover. This scene was reminiscent of one of this shows best episodes, the classic Red Hair and Silver Tape. Once again, Jane and Lisbon sit in a hotel room watching Rigsby on camera. In the aforementioned episode, it was doubly amusing since he was obviously crushing on his acting partner of the time, Grace. In Panama Red, the laughs come from the fact that Rigsby has to smoke some weed to pull off his act. The results are hilarious. Yeoman was fantastic as were Tunney and Baker.

Honorable Mentions

Casting was really great in this one. From Nicole Bilderback and Jack Laufer to Micheal Whaley as Elwood and James Jordan as Chuck. They were all perfect for their roles and helped keep the interest level high in scenes that might have been boring with lesser talent.

I particular enjoyed the delivery of Micheal Whaley. He was impressive as the no-nonsense security guard and had good comedic timing as well.

Susan Gibney stood out the most, however. With an easy, beautiful, ironic smile that lights up her whole face and a wry delivery that made her character exceedingly likable, she was an absolute delight.

Samaire Armstrong (who really is pregnant!) was charming as well. She was very convincing as the misunderstood, free-spirited Summer finally settling down once she found the love of her life.

David Norona’s Osvaldo Ardiles continues to be a welcome presence on this show. I just hope he doesn’t disappear like that other ADA Nicki; Mozhan Marno’s character.

Tim Kang as the strong, mostly silent Cho never fails to impress. But he is equally riveting when he lets his character’s emotions show every once in a while; his smile is especially powerful. It’s like unleashing a secret weapon on viewers; you keep forgetting he has one.

As talented a director as Baker might be, he truly shines as an actor and this episode gave us so much Baker-candy in the form of his acting prowess. It has been so long since we saw him play something other than manipulative and/or obsessed (see….well, entire review for more details) and I was completely riveted to his every expression. It doesn’t hurt that he never looked better too.

Like Baker, Yeoman’s comedic talent has also been in hiding for a while now. I loved seeing it emerge so beautifully in this episode. I literally laughed out loud in the scene he got high.

Guy Ferland’s direction makes the most out of the fantastically talented (and beautiful) cast and catches their best moments. We were given many reaction shots, but deftly so without them being shoved in our faces. At times it almost felt like I was standing right next to team. Grace’s screen time was  understandably limited- the actress’s pregnancy is getting harder to hide but the shots she was in were very well done.

Blake Neely’s beautiful tunes are, as always, the perfect accompaniment to this show. It’s been a while since an episode made me tear up both in sadness (Jane questioning Alice), and happiness (Cho/Summer end scene) and the music had a lot to do with that. As we say on twitter: #gratitude

Last, but certainly not least, is writer Michael Weiss. If I knew his address I’d send him a basket of flowers. His interesting and fun script truly made my day.

Icings on the Cake

-  Rigsby eating is one of my favorite things in the world.

- Jane trying to get Lisbon to eat is another.

- I liked Cho pulling Lisbon from where blood was dripping; mostly cause I heart their friendship but also because it almost felt symbolic.

- Jane is on his couch again. My favorite canon pairing ever.

-Jane asks Matthew Gold how he can get weed. When Gold tells Jane he gets in their co-op if he has a condition they can help with, Lisbon nods at Gold, glancing at Jane, with an “Oh, yeah he does” expression on her face. The moment is priceless. Now I doubt Jane would dull his mind with weed, but the mere thought is hilarious.

-Like guest reviewer P said, I too find the recurring characters fascinating and love seeing them, or just hearing about them from time to time. I won’t even pretend the fact that this episode had so many of didn’t have me flailing.

-It was nice seeing Lisbon in action questioning Elwood. Her “cop to cop” line established common ground between them which allowed the man to share some information. But it’s not enough as as he later tells her she needs a court order “cop to cop”. Michael Whaley’s reading of the line was really great, as was Tunney’s “busted” expression afterwards.

-Rigsby helps Cho find and arrest Chuck, to help Summer, even if he never approved of their relationship. Bro-love anyone? Seriously, who doesn’t love Chigsby.

Best Lines

“I have what you coppers call ‘a lead’.” -Jane, to Lisbon.

“Hanging some buds.” -Lisbon repeating what Gold said, clearly unimpressed with marijuana farming. Tunney’s reading was awesome.

“Well, someone’s gotta do it.” – Jane, in reply to the above. Baker’s little hitch was fantastic too.

“Patrick Jane, a consultant. This isn’t my boss.” Jane, introducing himself and Lisbon.  I’m willing to bet Jane just said this to rile Lisbon up, and/or see if she takes the bait.

“I’m Teresa Lisbon and I am his boss.”-Lisbon, giving her own introduction in response to Jane. She does take his bait, but I’m glad of it. It’s nice to know she remembers her place.

“Wow.” -Rigsby’s repeated response to seeing Summer, pregnant and engaged.

“You said that.” -Cho, in response to the above.

“It’s not yours is it?” Rigsby, to Cho, about Summer’s fetus.

“Police brutality! I’m not resisting!” Chuck when Cho takes him down. Hilarious. Especially since moments before the guy beat up Cho with a heavy wooden stick when he tried to arrest him.

“It’s always something with you guys. I wasn’t looking forward to prosecuting a pregnant woman anyway.” – Osvaldo Ardiles, when he realized why Cho wants Summer freed. Love the continuity on Ardiles’s wariness when it comes to the SCU.

“Could you pass the cheese, this is getting good.”-Jane.

“Say what you will about hippies. They throw a good funeral.” -Alice, to Jane.

“Boss is it okay if I sit down?” Rigsby, on weed, to Lisbon.

“You are sitting down Rigsby.” -Lisbon, in response to the above.

“Thank you Kimball. I promise I won’t bug you anymore. I’m going to be good.” -Summer. Aw! :’-)

“You keep a hammer in your desk?!” Jane, to Lisbon. Baker’s reading of this line was priceless. As are his facial expressions. Seeing Jane look disappointing, flummoxed, maybe even a little scared (of Lisbon) was just such a treat to watch.

Image by Chizuruchib. Copyright Reviewbrain Dec. 2012. Not to be used without permission.

Image by Chizuruchib. Copyright Reviewbrain Dec. 2012. Not to be used without permission.

Awww!! XD

Pet Peeves

The botany/marijuana lingo was just a wee bit confusing as was the switch in the end. Also, I’d pegged Gold as the killer all along, though, for the life of me, I can’t tell why.

Conclusion

I’ve talked about how enjoyable this episode was ad-infinitum. Now it’s time to talk about how important it was.

Trust continues to prevail as a popular theme in this show. Tamsin Wade says she needs to know that she can trust Cho, which she can’t because he went behind her back to the DA. The thing is, while she trusted him enough to add him to her Rapid Response team, she still wouldn’t to take his word that Summer wasn’t involved.

Meanwhile, Cho trusts Rigsby enough to go with him and find Chuck, the guy that escaped the Rapid Response team’s raid, even though Rigsby isn’t involved in the case.

Summer loves her fiancee Marshall but doesn’t trust the knowledge that she was a call girl won’t ruin their relationship. It’s not unlike Jane who (still?) keeps things he feels might affect his relationship with Lisbon hidden from her. But while Summer changed her life, Jane has been actively trying to change Lisbon. While Jane needing someone to understand him has previously been noted as a possible reason for his “grooming” of Lisbon, we now have more information that might further support this theory

In this episode, at the victim’s service, when Jane tells Alice that he managed to open the victim’s puzzle box, she tells him, “He would have loved that you figured that out. He didn’t have a lot of people that could play at his level.” To which Jane replies, “Yeah, well it’s a curse some people live with.”

I’ve said it about Jane before: genius is a lonely place. But by grooming Lisbon, maybe it won’t be.

Jane also seems to want Lisbon to trust that everything will be all right in the end.

Lest people think this episode was a random stand alone, the writer had Jane say the following:

“You seem very obsessed with evaluating our status. Good, bad. We’re alive. The guy that made this (puzzle box) is dead. By comparison I think we’re doing very well.”

Whoa, mama! What a loaded sentence. Anyone else think that just maybe Jane is talking about more than just the case here? Lisbon sure thinks so, if her withering look to Jane is anything to go by.

Methinks Jane knows how much Lisbon is worrying about his RJ obsession, hence his use of the word, and is annoyed that this worry is manifesting itself in her being more strict with him.

Of course, Lisbon has other reasons for her changed demeanor. Season four saw Lisbon, overjoyed at Jane not being convicted, appreciating him, indulging him, and basically going along with whatever he did. But giving Jane all the leeway he wanted still didn’t get him to share his plans with Lisbon before he did his disappearing act. Nor did he tell her about his “relationship” with Lorelei, so it’s only realistic for her to revert to her no-nonsense boss-lady methods. If this is true, then it establishes a new theme for this season: Lisbon rebelling against Jane’s influence over her. This is symbolized by her breaking open the trick box instead of asking Jane to open it for her, as he obviously wanted her too. Like Jane’s earlier speech to Lisbon, it was a humorous moment but is also laced with some pretty serious subtext which reveals itself when Lisbon tells Jane he only thinks he knows everything about her.

I’ve always said Lisbon is more mysterious than Jane which is a particularly clever move on Heller’s part. If we are to remain suspenseful as to what will happen when RJ is ever found, we, like Jane, have to remain in the dark as to how she’ll act. How both of them will act, really. Either Jane will give in and let Lisbon arrest RJ, or Lisbon will help Jane get his revenge. Either way, having Lisbon, once again, be more than just Jane’s side-kick helps achieve that. The fact that genius Jane is still in the dark about aspects of Lisbon’s character keeps the show fresh and interesting.

Author’s Note: As always, thanks for reading. Please don’t forget to rate the review and share your own opinions in the comments. As we approach the end of another year I am overwhelmed with gratitude for this fantastic community of fans we’ve been blessed with. You are all fantastic and I love you. Be sure to come back on the 25th as Violet has a Christmas present for you all which I’ll post here. Or, simply “follow’ the blog to get an email the moment it is posted. Happy holidays!

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Vegas “Exposure” Review


 Synopsis

When the lead medic at an air force base is found dead on the West Side of Vegas, Lt. Norman Kemp (Tim Griffin) joins Sheriff Ralph Lamb (Dennis Quaid) in the investigation into his murder. Meanwhile, new mob boss Johnny Rizzo (Michael Wiseman) decides to hire Diane Desmond (Ivana Milicevic) to sing at The Savoy. This becomes a major problem for Casino head Vincent Savino (Michael Chiklis) who tries to keep his wife Laura (Vinessa Shaw) from finding out that he and Diane once had an affair.

Concise Verdict

I must admit, having seen the promo, I wasn’t really looking forward to this episode. Yes, sex can sell, I’m just not a fan of shows I feel are awesome in their own right resorting to such methods. But writers Seth Hoffman and Steven Levenson gave me a pleasant surprise with Exposure. With plenty of great one liners, continuity, sly direction, and a troublesome new character, this episode with a double meaning in its title is another highly entertaining addition to this magnificent show. 8.5/10

Detailed Analysis (spoilers be here)

Johnny Rizzo takes charge of the Savoy

As anticipated in the Bad Seeds review, Savino has his hands full dealing with Johnny Rizzo. First, the loan shark unknowingly hires Savino’s one-time lover, Diane Desmond (who quickly demonstrates that she wants to rekindle the romance). Then, when Mia Rizzo (Sarah Jones) tells Savino that one of her employees reported a missing fill slip, and might therefore figure out how she has been laundering money for the casino, her father demands to know the man’s name, presumably to make sure he doesn’t talk by killing him.

-I found it interesting that Mia glanced at Vincent, who shook his head slightly at her to signal that she shouldn’t reveal the man’s name to her father. She does, however, thinking that the fact that she tells Johnny “I trust him” will keep her father from wanting to deal with the matter his own way.

At first it seems that she might be right. Her doting dad tells her “If you trust him, then I trust him”. But Savino’s fears become a reality when Rizzo later tells him that they’ll get rid of the guy because it’s not worth the risk.

Luckily, Savino is able to distract Rizzo long enough to get the poor targeted employee out of town. He does this by asking Diane, whom Rizzo is enamored with, to go home with the man and slip him something that will make him sleep. But Diane demands something in return for helping Savino: his wife Laura’s diamond necklace that he gave her on their anniversary.

-I suppose it could be true that Diane is still in love with Vincent eight years after their affair, but she seems to get off on subverting powerful men. Her requesting Laura’s necklace hints at a jealous and possessive woman, one used to getting her way. It’s easy to imagine why Savino never contacted her when he came to Vegas and why he now wants her gone.  Ending up in the doghouse with his wife might be the least of Vincent’s concerns where Desmond is involved…

Diane later tells Vincent that she didn’t need to use the drug since she kept Rizzo busy by sleeping with him.

-It would be fine if Diane cared about Rizzo, but making him think she does when she’s actually trying to get close to Vincent, as she tells him, is dangerous. Rizzo isn’t an idiot. If she continues playing him, and he figures out it’s Vincent she wants he’s likely to want to kill both her and Savino. I’m sure Savino knows this as he earlier told Diane that she should return the fur coat Rizzo gave her as a gift; that she shouldn’t jerk him around. If the singer knows what’s good for her, she’ll take Vincent’s advice.

 Vincent Savino’s Marriage

Perhaps what I loved most about this episode is what it reveled about Vinnie Savino’s character. Despite Diane Desmond throwing herself at him, he remains faithful to his wife Laura. Even when he needs Diane’s help to keep Rizzo busy, Vincent doesn’t repay her favor with his wife’s diamond necklace. Instead, he gives her a folder of cash and tells her that some things don’t belong to her.

The statement was clearly talking about more than just the necklace in question: Vincent was telling her that he doesn’t belong to her.

-This answers a question I had in mind ever since Laura was first introduced in episode Solid Citizens: Does Savino really love his wife?

We know he only asked her to join him in Vegas after banker Leo Farwood (Micael J. Harney) invited them to dinner at a country club (episode Solid Citizens). The Morman had told Savino that family was very important and the underlying sentiment was that if Savino wanted Farwood’s bank to finance his expansion of The Tumbleweed, then he had to prove himself as a family man. Savino did this when he had Laura accompany him to the dinner, where we are later told that she made a great impression on Farwood. So is that why Savino asked his wife to stay?

I think not. Rather, I believe Farwood’s invitation just served as an extra nudge for something Vincent had wanted all along. We’ve gotten many hints: his obliging her request to be more honest about his work troubles (The Real Thing), his concern for her when hitman Jones came into town (Bad Seeds), and his remaining faithful to her in this episode. all point to him loving her. When Diane brazenly offers herself to Vincent, we are shown a bare woman’s leg on a bed and Vincent buttoning his shirt. The clever direction misleads viewers into assuming he’d submitted to the vixen’s wiles before Laura’s blond head appears from behind him: he went to his wife instead. Vincent explains the mid-day rendezvous by telling her “I couldn’t stop thinking about you.” The statement didn’t seem like he was just using her to substitute for Diane. Rather, it seemed like an affirmation of his love; like he turned down Diane because he was thinking about his wife. Perhaps his close call in the last episode is what made the decision come easily to him.

I’m glad of it. Laura Savino acted superbly by Vinessa Shaw comes across as a woman well worth both Vinnie’s love and respect. Not only is she the beautiful mother of his children, she’s smart and completely devoted to her husband, as this episode illustrates further.

Laura Savino and Kathernine O’Connell come to Terms

ADA Katherine O Connell (Carrie-Anne Moss) congratulates her new friend Laura on helping get George Grady (Gil Bellows) elected as the city’s new mayor. Laura downplays her role to which Katherine calls her modest. Laura points out that it’s a trait they share: that Katherine never told her she was an ADA for the city, which Laura found out from a girl at the hair salon she frequents. Katherine states that she should have been honest about her job, but adds that it doesn’t have to get in the way of their friendship. Laura tells Katherine that she almost lost her husband twice in the last week (to Jones, continuity, how I love thee), and that she won’t lose him to the law or anyone else. She also accuses the ADA of only befriending her as means for her to get closer to catching her husband and his associates.

-I must say, I agree with Laura’s assumption here and don’t blame her for calling out Katherine on her manipulation, nor for her umbrage.

But Laura changes her stance after she realized the past relationship her husband had with Diane Desmond. Laura tells Vincent she wants the woman gone. He tells her he does too but the decision is out of his hands; Johnny Rizzo is his boss. Presumably, this is when Laura decides that things would be much better off if her husband is the boss, and that, with Katherine’s help, she has the means to achieve this. She meets the ADA again and apologizes for her harsh words. Katherine, sharp cookie that she is quickly realizes what Laura is up to. The two agree that their interests might be shared.

-It was great to see the women lay their respective cards on the table; and agree to play on the same team. I think the potential of a real friendship is much more likely now that each knows where the other stands. Can’t wait to see how it plays out.

Dixon “Gigolo” Lamb

The young deputy and Sheriff’s son arrives late to work after a night of loving spent with a flight attendant. At the receptionist Yvonne’s (Aimee Garcia) raised eyebrow, he tells her “It’s nine o’clock somewhere.”

Later when Lieutenant Kemp comes to the station to ask about the deceased, he accuses Ralph’s of being nepotistic, hiring his brother as his deputy, and adds : “And I’m guessing that was your son playing grab-ass with the receptionist.”

This was one of my favorite moments of the episode. The reactions to this statement were just awesome. O’Mara has a fantastic “Oh $h*t” expression on his face. You can just see Jack imaging Yvonne beating his nephew to a pulp for subjecting her (however unintentionally) to such a comment. It’s an amusing image, especially since she’s the only young female who seems to not be reduced to putty by the charming Dixon’s attentions.

Yvonne herself just stares wide-eyed at Kemp, as if she can’t believe what she just heard him say. I don’t blame her. The lady has done nothing but behave professionally with Dixon. In episode Money Plays, when Yvonne asks Dixon if he knows what a paper she has for him says, he replies, “I’m guessing it’s not your phone number”. She completely ignores his not subtle pass at her and reams him for getting a car wrecked.

One can’t help but wonder if Yvonne’s strict manner is to deter from such lewdness being directed her way, since Dixon’s womanizing isn’t exactly a secret.

Although, he may not be as openly available as he used to be. I’m interested in finding out more about Dixon’s relationship with the flight attendant chick. Does her “We’ll do it all over again”, after she comes back to Vegas, mean (to use the old fashioned term) that they’re going steady? Or is she just one of Dixon’s (presumably many) friends with benefits? If the latter is true then it begs the question why Dixon can’t seem to limit himself to the affections of one woman. I wonder if his playboy status is due to his losing his mother at an early age; he likes female attention so much now cause he had to do without it for so long.

Or I could be reading way much into this, which, by the way, I completely blame the writers and actors for. It’s not my fault the show is so much fun.

Note: Dixon must have been very young when his mom died because A) Jack says he raised him while Ralph was off being an MP (episode Solid Citizens), and B) In this episode, we get to  see the police report of the accident that killed Dixon’s mom. The date on the report is April 16, 1946. Since this show starts at 1960, that means Ralph’s wife died fourteen years ago. We know she died while Ralph was away, his son had already been born. If Dixon’s supposed to be in his twenties now, then he couldn’t have been more than six years old when she died. But now that we know when Marilyn (that’s her name, based on the police report died), I now want to know when Ralph came back home. I’m greedy like that.

Widowed Sheriff Ralph

Jack’s statement that he raised Ralph’s son coupled with what Savino said the previous episode about why Ralph didn’t get a discharge seems to point to the fact that Ralph stayed away as long as he could to avoid dealing with his wife’s death. His rattled reaction as he read the police report of her accident at the end of this episode supports this as well. Then there is the fact that Ralph still wears his wedding ring. This is a man who is still grieving, despite the (flirtatious?) smiles he throws the pretty ADA Katherine. Hopefully, after this episode he’ll start recovering from his loss. Or, he might again avoid that by throwing himself into his work.

On another subject, while Ralph’s closed-mouthed nature might cause unnecessary problems between himself and his family (Jack, in episode Illegitimate, Dixon in Solid Citizens), it’s nice to see it in action against other people. Particularly, him not telling Kemp in this episode that he was an MP. His not bothering to correct the man’s contention that he wasn’t qualified for his job conveys a general carelessness over what other people might think about him. It’s a very cool aspect of his character. Another, is him completely giving the air force pilot grief about not being a “real” soldier after Kemp found out that Ralph was in the military. His sense of humor can be mean, though not understandably in this case. Kemp was a complete jerk when the two met.

Best Scenes

A Morning with the Lambs

-Once again, the (long!) teaser wins this one. Besides the (surprisingly) more amusing than titillating scene with Dixon, we have the hilarious scene where Jack and Ralph debate on who’ll chase down the perp. Then there’s the continuity provided on the previous episode when Savino and Mia visit the Sherriff’s office to see Ralph and Jack Lamb, respectively. Savino’s visit is under the pretense of congratulating Lamb on winning the election for Sherriff, while Mia’s official reason is that she’s accompanying her boss because she has reports he needs to see. Ralph figures that Savino’s actually there to thank him for saving his life (Bad Seeds) and tells him he’s welcome while Jack calls Mia out on her bad excuse for wanting to see him.

I love how insufferable Ralph was being to Savino, telling him not to worry, “I won’t make you say it, but you’re welcome.” I also liked Jack’s double take when he saw Mia and how his confidence was obviously boosted from seeing her visit him for a change. Looks his efforts to protect her in the previous episode, while unnecessary, endeared him a lot to her.

Ending

Another great scene was the ending. Jack visits Mia at the Savoy giving her his own lame excuse for doing so; he heard they had a new singer. His demeanor here was not as confident at the beginning of the episode. It was almost like he feared he’d pushed his luck teasing Mia when she came to his office. But it doesn’t seem like he needs to worry about that. She’s obviously happy to see him, stating that his excuse is “serviceable”. Then, smiling, Mia tells Jack to come see her when she’s not working. The deputy tells her he can do that with a helplessly dopey grin on his face.

Aww!

Then, to counterbalance the cute scene, we have Ralph in his office, looking over his wife’s accident report. It’s a sad moment poignantly conveyed by Dennis Quaid.

Best Lines

“Is it Rita Hayworth?”-Jack, to Yvonne, asking who’s visiting him.

“If you’re here about that missing kitten, we’re plumb out of leads.”-Jack, to Mia.

“If you wanted to see me all you had to do was call.”-Jack, to Mia.

“Don’t look at me.”-Savino, to Ralph, after Yvonne announces a dead body has been found on West Side.

“It’s nine o’clock somewhere.”-Dixon, to Yvonne.

“You’re the Sherriff.”-Jack, to Ralph when he tells him to chase a perp.

“You’re my deputy, go after him.”-Ralph in response to the above.

“New boots. I don’t want to get a blister.” -Jack, continues arguing as the perp continues to run XD.

“You saw that, right? Tell me you saw that!” Dixon, who puts the matter is put to rest when he parks a cruiser in front of the runner, making him slam into the car and effectively stopping him.

“Twelve Seconds Gentleman” -Mia, to two Savoy employees. Savino’s new money laundering method is to grab as much money out of the cash boxes during the elevator ride up to the countroom. It was a great fun moment.

 “Lieutenant, you can insult me all you want but you insult my staff and we’re going to have a little problem.” –Ralph’s protectiveness for the people he works for is one of his character’s best traits.

“Nothing like a little nepotism to make an organization feel like home”.  – I’m glad someone finally mentioned this. It’s would have been unrealistic not to have someone comment on Ralph hiring his son and brother as his deputies. By the way, Tim Griffin, who played Kemp was perfect in his military role.

Pet Peeves

There was a little too much ‘tell’ and not enough ‘show’ regarding the case in this episode. Like when Ralph tells Jack that the victim told Kemp about his findings, it doesn’t seem like something he’d find in a doctor’s report. There were a few other instances as well but I’m too brain fried to remember them.

I only realized on the second viewing of the episode that Kemp’s last conversation with Ralph (where he asks if he ever gets obsessive moments and can’t rest till he figures out a mystery) was supposed to set the stage for Ralph later reading the file of his wife’s accident. On first viewing both the conversation and Ralph’s subsequent sudden curiosity into his wife’s death seemed like they came out of nowhere. I was probably just slow that day.

Conclusion

So much to look forward to after this one: Diane Desmond and the dangerous game she’s playing with Savino while pretending to care about Rizzo. Mia’s silent respect for Savino and the possibility that it will clash with her love for her father. Johnny Rizzo’s lack of respect for Jack and how he’ll react when he realizes his daughter is returning the deputy’s affections. Really looking forward to seeing how these various plots will play out, along with whatever else the writers have in store for us. Hopefully, we’ll get an episode soon which will give some back story into Katherine’s character. She hasn’t been around much these last two episodes and I’ve missed her. Bonus points if we get a scene with wind blowing through her hair (a la the Pilot).

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


Kupikia Tanzania!



Picture

Engineers for World Health alumni Angela Czesak has published a cook book on Tanzanian cuisine, with the help of her friends Glory Mswia and Farida Issangu.

The proceeds of this book will go towards funding three charities for women and babies. The following information (and above image)  was taken directly from the website:

Cradle of Love Baby Home: a 501(c)3 nonprofit providing shelter and care to orphaned, abandoned, and endangered babies. They accept all children from the age 0-2, regardless of medical condition.

Wanawake Afrika: a new organization determined to provide young women who have been abused or are at-risk with a chance to continue schooling or even open up a new shop!

Hekima Women’s Group: a micro-loan network for the women of Makumira Village, providing greater opportunities for independent business growth and companionship among working mothers.

Angela hopes to raise $6000. The paperback copy costs $35 and a PDF version is available for $16. To order the book or donate money for this worthy cause, please visit the book’s official website.

“Angela and I, and many others were all part of the sensational Engineering World Health Summer Institute 2011 where we volunteered at Hospitals in Tanzania, repairing medical equipment there. From my experience, Tanzanian cuisine is delicious and very hearty. You have to try it!” -Abdulla.

I know I will :)

*All material posted in this blog is the intellectual property of reviewbrain (unless otherwise stated). Readers are free to make use of the information provided they cite the source (this blog) either by name (reviewbrain’s blog) or by linking to it. Please extend the same courtesy to the authors of the comments as well (by mentioning their names) to ensure that credit is given where credit is due.


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